PETERSON REVIEWS
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‘The Fall’ is More Than Just a Feast for the Eyes
In addition to being a visual treat, Tarsem Singh’s criminally underseen fantasy film is also pretty moving.
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‘Mother’ Never Lets You Guess Its Next Move
You can never be too certain where Bong Joon-ho’s 2009 drama is going to go next.
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John Carswell’s American Graffiti
For 425: Catching up with a Snohomish County man who’s amassed the world’s largest collection of graffiti and urban art on canvas.
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Cynthia Erivo and Ariana Grande Are Magnificent in ‘Wicked’
Plus: Ridley Scott revisits the ‘Gladiator’ universe nearly 25 years later.
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‘The Grifters’ is Elevated by Its Female Leads
This 1990 adaptation of the 1963 Jim Thompson novel wouldn’t make as much of an impression without Anjelica Huston and Annette Bening.
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Life Changes
‘Emilia Pérez,’ ‘Juror #2,’ and ‘Christmas Eve in Miller’s Point,’ reviewed.
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‘Strange Fascination’: An Auspicious Beginning to a Compelling Partnership
This noir-adjacent melodrama from 1952 marked the start of a six-film-long collaboration between director Hugo Haas and actress Cleo Moore.
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Shadows and Light
Joseph H. Lewis’ lean and mean ‘The Big Combo’ is a low-key triumph of the film noir form.
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Mikey Madison is Wonderful in ‘Anora’
Plus: Steve McQueen returns with a new period piece.
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How Big Picture Made It to 25
For 425: Spouses and co-founders Mark and Katie Stern discuss the business’s evolution, favorite memories, their pioneering business model, and more.
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‘Waist Deep’ is Shallow Fun
This Tyrese Gibson- and Meagan Good-fronted noir benefits from being not much more than solidly made and entertaining.
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‘Love at Large’ is a Seductive, Off-Kilter Noir
Alan Rudolph’s stylish neo-noir has one foot in the past and the other in the present.
APRIL 2026
The Theme is ‘High Anxiety’
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The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026











