PETERSON REVIEWS
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‘Kamikaze Hearts’’ Toxic Truth-Blurring
Our inability to confidently distinguish fantasy from fiction in Juliet Bashore’s pseudo-documentary from 1986 is part of what makes it exhilarating.
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The Heavy Style of ‘The Phoenician Scheme’
Wes Anderson’s trademark aesthetic rigor poses thrills and problems in his latest movie.
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In the Shadows
‘Victim,’ Basil Dearden’s tense 1961 noir, groundbreakingly depicted gayness with sympathy and homophobia with contempt.
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‘By Hook or By Crook’ is a Moving Ode to Friendship
Despite its low budget and the sometimes-amateurishness of its performances, it isn’t obvious that 2001’s ‘By Hook or By Crook’ was made by people who came into filmmaking practically on a whim.
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Acts of Love
‘The Ugly Stepsister’ and ‘April,’ reviewed.
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Arnold Schwarzenegger and Danny DeVito’s Chemistry Carries ‘Twins’
Ivan Reitman’s 1988 comedy is able to coast a decent amount just on how good the duo is together.
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Rilo Kiley Are a Hit in Woodinville
For 425: Chateau Ste. Michelle kicked off this year’s edition of its long-running summer concert series with a show from the aughts rock fixture Rilo Kiley, which recently embarked on its first tour in nearly 20 years.
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SIFF Diary: ‘Color Book,’ ‘Remaining Native,’ and More
What I saw at this year’s Seattle International Film Festival.
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‘Mission: Impossible — The Final Reckoning’ is a Disappointing Conclusion to a Great Franchise
A surprising lack of action and a surplus of exposition can make the movie a chore to sit through.
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‘They Cloned Tyrone’ is Amusing, But You Might Wish It Dug Deeper
Juel Taylor’s 2023 horror comedy is buoyed by charming performances from John Boyega, Teyonah Parris, and Jamie Foxx.
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Jack White Goes Back to Basics
For 425: The 49-year-old rock great made a two-evening appearance at the Paramount Theatre this week.
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Horror Shows
‘Final Destination Bloodlines’ and ‘Friendship,’ reviewed.
OCTOBER 2026
The Theme is ‘Thrills and Chills’
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The Surprising Sensitivity of ‘The Leopard Man’
This proto-slasher from 1943 takes pains to show that its victims are more than their fates.
August 19, 2026
May 25, 2026
May 13, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
