PETERSON REVIEWS
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‘I’m Still Here’ is a Devastating Family Drama
For 425: Fernanda Torres is outstanding as a matriarch coming to terms with a cruel truth.
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Delirium
Increasingly reappraised after it was tepidly received in 2003, Jane Campion’s ‘In the Cut’ potently flips the script on the typically straight male gaze-dominated erotic thriller.
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Sympathy for the Robot
‘Companion’ and ‘Love Me, reviewed.
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The Charming Trashiness of ‘Wild Things’
John McNaughton’s overheated Florida noir benefits from not taking itself too seriously.
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A Playing-Against-Type Danny Glover (Mostly) Holds ‘Switchback’ Together
Otherwise, this crime thriller is cluttered and overly complicated.
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The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
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‘Chilly Scenes of Winter’’s Post-Breakup Blues
Writer-director Joan Micklin Silver potently examines how lost love can push a once-stable person off their rocker.
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‘Presence’: Steven Soderbergh’s Audacious Take on Haunted-House Horror
Shot from a ghost’s-eye view, the adventurous filmmaker’s not-quite-horror movie has more tricks up its sleeve than its ingenious formal gimmick.
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‘Black Coal, Thin Ice’ is a Smart, Chilly Detective Noir
The way writer-director Diao Yinan manages to spin a potentially lurid murder mystery without a whiff of sensationalism is impressive.
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‘One of Them Days’ Might Make You Yearn for More Mid-Budget Studio Comedies
Keke Palmer and SZA are fantastic in this delightful buddy comedy.
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‘Cool Runnings’ Makes Sports-Movie Clichés Slightly More Bearable
The Disney-sanctioned account of how Jamaica’s first bobsleighing team came together packs few surprises, but you mostly don’t mind.
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‘Cliffhanger’ Keeps You on Edge
This Renny Harlin-directed Sylvester Stallone vehicle is ridiculous action-filmmaking gold.
MAY 2026
The Theme is ‘TV Eye’
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‘Death Watch’ is an Inspired, Prescient Reality-TV Satire
Romy Schneider gives a mesmeric performance wavering from heartrendingly restrained to unselfconsciously exposed.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 