PETERSON REVIEWS
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‘Last Holiday’ is the Right Kind of Corny
Queen Latifah is a beacon of light in Wayne Wang’s heartwarming comedy-drama.
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The Comic Comforts of ‘Wallace & Gromit: Vengeance Most Fowl’
The first Wallace and Gromit movie since 2005’s ‘The Curse of the Were-Rabbit’ is predictably delightful.
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Operatics
‘Maria’ and ‘The Brutalist,’ reviewed.
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Vampires
‘Hard Truths’ and ‘Nosferatu,’ reviewed.
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Jagged Edges
‘Babygirl,’ ‘The Last Showgirl,’ and ‘Queer,’ reviewed.
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The Idea of You
Notes on ‘Letter from an Unknown,’ Max Ophüls’ masterpiece of unrequited love.
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‘Now and Then’ is an Underrated Coming-of-Age Movie
Lesli Linka Glatter’s feature-length debut is the rare coming-of-age film to foreground the mundane moments of female friendship.
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‘Oh, Canada’ and ‘Nickel Boys’ Look Back on Painful Pasts
For South Sound: New movies from Paul Schrader and RaMell Ross, reviewed.
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‘The Fall’ is More Than Just a Feast for the Eyes
In addition to being a visual treat, Tarsem Singh’s criminally underseen fantasy film is also pretty moving.
MAY 2026
The Theme is ‘TV Eye’
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‘Death Watch’ is an Inspired, Prescient Reality-TV Satire
Romy Schneider gives a mesmeric performance wavering from heartrendingly restrained to unselfconsciously exposed.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026














