PETERSON REVIEWS
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‘The Fourth Man’’s Stylish Misdirections
On the cusp of his American breakthrough, Dutch filmmaker Paul Verhoeven’s 1983 movie is a stylish, quasi-parodic precursor to his own ‘Basic Instinct.’
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The Stupid Pleasures of ‘Malice’
Though this twisty-turny domestic thriller gets increasingly ridiculous, it’s never boring.
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Poulsbo’s New Film Challenge is Putting Local Creatives to the Test
For South Sound: The husband-and-wife duo behind the Poulsbo Film Festival and the Away with Words bookstore is kicking off the 47.7-Hour Film Challenge on Feb. 28.
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‘The Perfect Guy’ Goes Through the Erotic-Thriller Motions
Sanaa Lathan is stranded in David M. Rosenthal’s lethargic ‘Fatal Attraction’ knockoff.
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‘I’m Still Here’ is a Devastating Family Drama
For 425: Fernanda Torres is outstanding as a matriarch coming to terms with a cruel truth.
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Delirium
Increasingly reappraised after it was tepidly received in 2003, Jane Campion’s ‘In the Cut’ potently flips the script on the typically straight male gaze-dominated erotic thriller.
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Sympathy for the Robot
‘Companion’ and ‘Love Me, reviewed.
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The Charming Trashiness of ‘Wild Things’
John McNaughton’s overheated Florida noir benefits from not taking itself too seriously.
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A Playing-Against-Type Danny Glover (Mostly) Holds ‘Switchback’ Together
Otherwise, this crime thriller is cluttered and overly complicated.
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The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
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‘Chilly Scenes of Winter’’s Post-Breakup Blues
Writer-director Joan Micklin Silver potently examines how lost love can push a once-stable person off their rocker.
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‘Presence’: Steven Soderbergh’s Audacious Take on Haunted-House Horror
Shot from a ghost’s-eye view, the adventurous filmmaker’s not-quite-horror movie has more tricks up its sleeve than its ingenious formal gimmick.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 