PETERSON REVIEWS
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A Compassionate Look at Dementia in ‘Familiar Touch’
For South Sound: Writer-director Sarah Friedland’s feature debut dramatizes an 80-something-year-old woman’s transition from self-sufficiency into assisted living with empathy and care.
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‘Desperate Living’ Feels Like the End of an Era
John Waters’ last movie before making his foray into the mainstream is among his most underrated.
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‘Lan Yu’ is a Little Too Understated
Stanley Kwan’s romantic drama keeps things at the surface.
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The Perils of Passion in ‘Materialists’ and ‘Misericordia’
For 425: New movies from Celine Song and Alain Guiraudie, reviewed.
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The Infectious Optimism of ‘Better Than Chocolate’
Anne Wheeler’s 1999 ensemble comedy is fun without undermining the struggles of its characters.
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‘Punks’ is a Lovable Ensemble Dramedy
Writer-director Patrik-Ian Polk’s to-follow TV show — the two-season-long ‘Noah’s Arc,’ which premiered on Logo in 2005 — only expanded on ‘Punks’’ group-of-gay-people-figuring-life-out conceit.
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‘Kamikaze Hearts’’ Toxic Truth-Blurring
Our inability to confidently distinguish fantasy from fiction in Juliet Bashore’s pseudo-documentary from 1986 is part of what makes it exhilarating.
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The Heavy Style of ‘The Phoenician Scheme’
Wes Anderson’s trademark aesthetic rigor poses thrills and problems in his latest movie.
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In the Shadows
‘Victim,’ Basil Dearden’s tense 1961 noir, groundbreakingly depicted gayness with sympathy and homophobia with contempt.
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‘By Hook or By Crook’ is a Moving Ode to Friendship
Despite its low budget and the sometimes-amateurishness of its performances, it isn’t obvious that 2001’s ‘By Hook or By Crook’ was made by people who came into filmmaking practically on a whim.
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Acts of Love
‘The Ugly Stepsister’ and ‘April,’ reviewed.
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Arnold Schwarzenegger and Danny DeVito’s Chemistry Carries ‘Twins’
Ivan Reitman’s 1988 comedy is able to coast a decent amount just on how good the duo is together.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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The Harrowing, Empathetic ‘Streetwise’
Martin Bell’s landmark movie about teenage runaways and outcasts getting by in downtown Seattle is a haunting group portrait.

August 19, 2026

May 25, 2026

May 13, 2026

Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026


Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026











