PETERSON REVIEWS
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Life Changes
‘Emilia Pérez,’ ‘Juror #2,’ and ‘Christmas Eve in Miller’s Point,’ reviewed.
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‘Strange Fascination’: An Auspicious Beginning to a Compelling Partnership
This noir-adjacent melodrama from 1952 marked the start of a six-film-long collaboration between director Hugo Haas and actress Cleo Moore.
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Shadows and Light
Joseph H. Lewis’ lean and mean ‘The Big Combo’ is a low-key triumph of the film noir form.
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Mikey Madison is Wonderful in ‘Anora’
Plus: Steve McQueen returns with a new period piece.
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How Big Picture Made It to 25
For 425: Spouses and co-founders Mark and Katie Stern discuss the business’s evolution, favorite memories, their pioneering business model, and more.
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‘Waist Deep’ is Shallow Fun
This Tyrese Gibson- and Meagan Good-fronted noir benefits from being not much more than solidly made and entertaining.
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‘Love at Large’ is a Seductive, Off-Kilter Noir
Alan Rudolph’s stylish neo-noir has one foot in the past and the other in the present.
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Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.
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‘Visible Secret’ is a Low-Key, Surprisingly Spooky Romantic Comedy
Ann Hui’s 2001 movie posits what a rom-com might look like with a ‘Sixth Sense’-esque underlay.
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World-Class Sinners
‘Conclave’ and ‘The Shadow Strays,’ reviewed.
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‘The Happiness of the Katakuris’’ Audacity Can Only Get It So Far
Takashi Miike’s exceedingly odd horror-comedy-musical hybrid is, at the very least, truly original.
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Sweating It Out with Charli XCX and Troye Sivan
For 425: The pop stars concluded their coheadlining Sweat Tour at Seattle’s Climate Pledge Arena this week.
JUNE 2026
The Theme is ‘Pride’
ASDFJHGSD


‘Desperate Living’ Feels Like the End of an Era
John Waters’ last movie before making his foray into the mainstream is among his most underrated.

May 25, 2026

May 13. 2026

March 27, 2026

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026











