PETERSON REVIEWS
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‘Heartburn’ Sticks Too Close to the Surface
Meryl Streep is lovable as Nora Ephron’s stand-in in the 1986 adaptation of the latter’s same-named novel, but you can’t help but want it to mine its divorce plot more thoroughly.
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‘Waiting to Exhale’ is Easy to Love
The 1995 dramedy is satisfyingly pessimistic about love and relationships and dead serious about the power of friendship.
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The Vashon Island Distributor Behind Kristen Stewart’s Feature-Directing Debut
For South Sound Business: The Forge is kicking off 2026 with its highest-profile release yet.
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Jodie Foster Shows Off Her French Cred in ‘A Private Life’
Plus: ‘Sound of Falling’ is a technically accomplished but dramatically inert coming-of-age drama. (For 425)
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Next Lifetime
Apichatpong Weerasethakul’s ‘Uncle Boonmee Who Can Recall His Past Lives’ is a deceptively serene meditation on mortality.
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Life During Wartime
‘Mr. Nobody Against Putin’ and ‘Atropia,’ reviewed.
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‘Southern Comfort’ Compassionately Captures an Extraordinary Life
On Kate Davis’ 2001 documentary.
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Survivors
‘All That’s Left of You’ and ‘28 Years Later: The Bone Temple,’ reviewed.
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Mind Games
Mohammad Reza Aslani’s gorgeously shot melodrama ‘Chess of the Wind’ is a revelation that was very nearly lost forever.
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The Wintry, Melancholy Loveliness of ‘The Dead’
On John Huston’s posthumously released swan song.
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All in the Family
‘The Chronology of Water,’ ‘Father Mother Sister Brother,’ and ‘Rosemead,’ reviewed.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD


Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026












