PETERSON REVIEWS
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Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
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Arrangements
‘Pillion’ and ‘Mistress Dispeller,’ reviewed.
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Disobedience
John Sayles’ groundbreaking ‘Lianna’ was a landmark — albeit a criminally underseen one — for lesbian representation in cinema.
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Trouble in Paradise
On the screwball-comedy perfection of 1937’s ‘The Awful Truth.’
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‘Shoot the Moon’: An Underrated Reminder of Diane Keaton’s Generational Genius
Alan Parker’s 1982 divorce drama is among the genre’s most emotionally evocative works.
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Short Takes: ‘Wuthering Heights,’ ‘My Father’s Shadow,’ and ‘Nirvanna’
For South Sound: New movies from Emerald Fennell, Akinola Davies Jr., and Matt Johnson, reviewed.
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The Heart of the Matter
Asghar Farhadi’s ‘A Separation’ more than sidesteps divorce-movie expectations.
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Recent History
‘The Moment’ and ‘The Voice of Hind Rajab,’ reviewed.
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‘Heartburn’ Sticks Too Close to the Surface
Meryl Streep is lovable as Nora Ephron’s stand-in in the 1986 adaptation of the latter’s same-named novel, but you can’t help but want it to mine its divorce plot more thoroughly.
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‘Waiting to Exhale’ is Easy to Love
The 1995 dramedy is satisfyingly pessimistic about love and relationships and dead serious about the power of friendship.
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The Vashon Island Distributor Behind Kristen Stewart’s Feature-Directing Debut
For South Sound Business: The Forge is kicking off 2026 with its highest-profile release yet.
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Jodie Foster Shows Off Her French Cred in ‘A Private Life’
Plus: ‘Sound of Falling’ is a technically accomplished but dramatically inert coming-of-age drama. (For 425)
MAY 2026
The Theme is ‘TV Eye’
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‘Death Watch’ is an Inspired, Prescient Reality-TV Satire
Romy Schneider gives a mesmeric performance wavering from heartrendingly restrained to unselfconsciously exposed.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 