PETERSON REVIEWS
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Desperados
‘Marty Supreme,’ ‘No Other Choice,’ and ‘Dead Man’s Wire,’ reviewed.
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My 10 Favorite Movies of 2025
In alphabetical order.
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My Favorite First-Time Watches of 2025
The best movies I saw in 2025 that weren’t released in 2025.
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Odds & Ends: 2025 Releases
Notes on a few 2025 releases I got to later than I’d planned on.
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Amanda Seyfried Gives One of the Year’s Great Performances in ‘The Testament of Ann Lee’
Mona Fastvold and Brady Corbet’s follow-up to ‘The Brutalist’ is characteristically bold and brainy.
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The Hunger
Antonio Pietrangeli’s 1965 black comedy ‘I Knew Her Well’ is one of its decade’s most undersung works.
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Josh O’Connor Makes ‘Wake Up Dead Man’ Seem Better Than It Is
The latest ‘Knives Out’ movie is a step down from its predecessors.
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‘The Mastermind’ and ‘The Secret Agent’ Aren’t What You Think
For 425: New movies from Kelly Reichardt and Kleber Mendonça Filho, reviewed.
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‘The Annihilation of Fish’: Charles Burnett’s Rediscovered Midlife Romance
The filmmaker’s recently rediscovered 1999 movie is amiably off-kilter, but it sometimes seems tonally unsure.
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‘Jay Kelly’ and ‘Hamnet’ Want You to Cry
For South Sound: New movies from Noah Baumbach and Chloé Zhao, reviewed.
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Parallel Lines
Zeinabu irene Davis’ one and only feature-length movie, 1999’s ‘Compensation,’ has gotten a well-deserved second life this year.
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Afterwords
‘It Was Just an Accident’ and ‘Rebuilding,’ reviewed.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD


Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026











