PETERSON REVIEWS
I’m on Spring Break. Posts will resume on April 20.
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‘The Crime is Mine’: Murder is Their Business
François Ozon’s frothy screwball comedy homage harkens back to the heightened style of 2002’s ‘8 Women.’
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A Doomed, One-Sided Love in ‘Senso’
On Luchino Visconti’s sumptuous, devastating melodrama.
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‘Go Fish’: A Heartfelt, Pioneering Romantic Comedy
Rose Troche’s breakthrough was a milestone for lesbian representation.
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‘Mystic Pizza’ is an Essential Coming-of-Age Comedy
Roger Ebert now-famously predicted that the film’s three leads would soon become movie stars; the promising ebullience of their performances still shines through.
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Odds & Ends: January 2024
Notes from the last month.
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‘The Car’ is About What You’d Expect
A hybrid of ‘Christine’ and ‘Jaws,’ this thriller about a self-driving car that hits the gas only so that it can kill people isn’t necessarily bad, but it doesn’t do anything that interesting with its premise, either.
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On Steve McQueen’s So-Called Vanity Project
Notes on ‘Le Mans.’
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‘Death Race 2000’ is a Tongue-in-Cheek Dystopian Thriller
The performers — particularly the in-on-the-joke cool Mary Woronov and the comically always-fuming Sylvestor Stallone — know precisely what kind of movie this is and seem to be luxuriating in the material, just as we are.
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The Poignance of ‘Crossroads’
Watching Britney Spears in her one and only movie hits differently now than it might have in 2002.
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Being There
‘The Zone of Interest’ and ‘Origin,’ reviewed.
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Crown Jewels
You like living inside ‘The Thomas Crown Affair.’
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‘Car Wash’ is a Winning Slice-of-Life Comedy
There are some memorable moments of slapstick in Michael Schulz’s affable ensemble film, but the movie is much more than its silliness.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 