PETERSON REVIEWS
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The Bold and Bawdy Sex Comedy of ‘Vixen!’
Russ Meyer’s commercial breakthrough is a fascinating nexus point in his career.
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Self-Discovery and False Starts in ‘Dishonored Lady’
Hedy Lamarr is great in a movie about a woman trying to turn over a new leaf thwarted by her past.
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‘May December’: A Sly, Shivery Age-Gap Melodrama
Julianne Moore, Natalie Portman, and Charles Melton are all at the top of their game in Todd Haynes’ latest.
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‘Secretary’ is a Transgressive, Darkly Funny Romantic Comedy
Maggie Gyllenhaal is terrific in her breakthrough role.
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Hedy Lamarr is Wickedly Good in ‘The Strange Woman’
In the vein of the previous year’s ‘Leave Her to Heaven,’ the fun of ‘The Strange Woman’ is primarily found in our desire to see its villainess get away with her crimes.
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Family Feasts
On ‘Saltburn’ and ‘Thanksgiving.’
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The Stylish Sensuality of ‘Story of O’
Just Jaeckin’s follow-up to the infamous ‘Emmanuelle’ is even better than the movie he’s most associated with.
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‘Samson and Delilah’ is a Silly, Pretty-to-Look-At Epic
It’s impossible to take Cecil B. DeMille’s biblical epic seriously outside its aesthetic pleasures.
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Celebrating 30 Years of ‘Guyville’ with Liz Phair
The singer-songwriter played an anniversary show commemorating her debut album, ‘Exile in Guyville,’ at the Moore Theatre last night.
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‘The Killer’: A Cutthroat, Cool-to-the-Touch Thriller from David Fincher
Plus: ‘All of Us Strangers’ is a rare misfire from Andrew Haigh.
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‘Shortbus’ is a Bruising Sex Comedy
John Cameron’s Mitchell’s 2006 dramedy famously pushes the envelope, but it’s not shocking for the sake of being shocking.
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Skating Polly’s ‘Ugly Pop’ Returns
The Tacoma band brings its five-year hiatus to an end with a great new double album.
JANUARY 2026
The Theme is ‘Endings’
ASDFJHGSD
‘In the Bedroom’ is a Powerful Meditation on Grief
On actor turned director Todd Field’s first effort as a filmmaker.
November 6, 2025
October 27, 2025
September 17, 2025
The Hunger
Antonio Pietrangeli’s 1965 black comedy ‘I Knew Her Well’ is one of its decade’s most undersung works.
December 18, 2025
Parallel Lines
Zeinabu irene Davis’ one and only feature-length movie, 1999’s ‘Compensation,’ has gotten a well-deserved second life this year.
December 3, 2025
Do the Right Thing
Abbas Kiarostami’s Koker trilogy-commencing ‘Where is the Friend’s House?’ empathetically sees the world through a particularly well-meaning child’s eyes.
November 12, 2025
Peterson Reviews 