PETERSON REVIEWS
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‘The Way He Looks’ is a Deeply Felt Teen Romance
Daniel Ribeiro’s rom-com is anchored by a moving lead performance from Ghilherme Lobo.
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‘Something to Talk About’ Barely Gives You Anything
The movie flimsily approaches potentially rich material.
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The Soul and Sensitivity of ‘The Blue Caftan’
Though driven by a narrative that sounds straight out of a melodrama, this romantic drama proves more emotionally subtle than sensational.
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There’s Always Tomorrow
On ‘Sylvie’s Love’ and ‘One Night in Miami.’
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‘Stepmom’ is a Maudlin, Sometimes Effective, Tearjerker
Chris Columbus’ 1998 melodrama has five credited writers — and it shows.
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‘Millennium Mambo’ is a Haunting, Lyrical Study of a Life in Stasis
‘Millennium Mambo’ doesn’t need us to know too much about its characters’ inner lives; it’s more about capturing feelings and moods — the listlessness of a woman floating through life because she isn’t sure what else to do.
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The Coming-of-Age Horrors of ‘Lisa Frankenstein’ and ‘How to Have Sex’
New movies from Zelda Williams and Molly Manning Walker, reviewed.
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‘Notting Hill’: A Star-Crossed Romance
Julia Roberts and Hugh Grant do wonders to soften — but not completely distract from — the contrivances of Roger Michell’s romantic comedy.
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‘The Story of a Three-Day Pass’: An Early Triumph for Melvin Van Peebles
Van Peebles would only get bigger — and bolder.
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Small Gestures, Big Problems in ‘Charulata’
On Satyajit Ray’s masterful romantic drama.
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‘The Crime is Mine’: Murder is Their Business
François Ozon’s frothy screwball comedy homage harkens back to the heightened style of 2002’s ‘8 Women.’
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A Doomed, One-Sided Love in ‘Senso’
On Luchino Visconti’s sumptuous, devastating melodrama.
JUNE 2026
The Theme is ‘Pride’
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‘Punks’ is a Lovable Ensemble Dramedy
Writer-director Patrik-Ian Polk’s to-follow TV show — the two-season-long ‘Noah’s Arc,’ which premiered on Logo in 2005 — only expanded on ‘Punks’’ group-of-gay-people-figuring-life-out conceit.

May 25, 2026

May 13. 2026

March 27, 2026

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026











