PETERSON REVIEWS
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‘Bandidas’ is Just Effective Enough to Do Its Dream Pairing Justice
Salma Hayek and Penélope Cruz, together at last.
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Pam Grier, in Charming Amateur Detective Mode, in ‘Friday Foster’
Grier’s final movie with American International Pictures is among her most effortlessly enjoyable vehicles.
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Guitar Hero Marnie Stern, Back and Better Than Ever, is Coming to Tacoma
The guitar god just put out her first album in a decade. Now, she’s hitting the road.
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‘Tótem’ is Moving Without Being Mawkish
Lila Avilés’ emotional second feature wisely doesn’t give into the melodramatic possibilities its gutting story poses.
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‘The Doll Squad’: An Inept Spy Thriller with an Undeniable Vision
Ted V. Mikels’ 1973 movie squanders its early promise, but it at least has the intriguing germ of an idea ‘Charlie’s Angels’ would soon improve on.
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How Pam Grier Elevates ‘Coffy’
The revenge thriller almost always feels a little off by virtue of being a sleazy piece of work that happens to host a premier-quality performance.
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A Pink Sunday with Nicki Minaj
The rapper, supporting ‘Pink Friday 2,’ stopped by Climate Pledge Arena over the weekend.
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On Seeing Madonna
Notes from her March 7 show at the Kia Forum.
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‘Lara Croft: Tomb Raider’ is Silly, Stylish Fun
Angelina Jolie is magnetic in this endlessly preposterous video game adaptation.
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‘Yes, Madam’: Less Talk, More Action
Corey Yuen’s slapstick-tinged action movie is best when it’s getting down to business.
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Cheryll Leo-Gwin at 80
I visited the prolific, innovative artist at her Redmond home studio earlier this year for the latest issue of 425.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
ASDFJHGSD


In ‘Menus-Plaisirs – Les Troisgros,’ It’s All in the Process
Revisiting Frederick Wiseman’s 44th documentary, which trains its gaze on the Troisgros family and its various culinary pursuits.

August 19, 2026

May 25, 2026

May 13. 2026

Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026


Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026












