PETERSON REVIEWS
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The Love Games of ‘Challengers’ and ‘The Idea of You’
New movies from Luca Guadagnino and Michael Showalter, reviewed.
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Odds & Ends: April 2024
Notes from the last month.
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River Phoenix Can’t Save ‘A Night in the Life of Jimmy Reardon’
A dull premise and a hard-to-root-for protagonist torpedo William Richert’s tampered-with coming-of-age comedy.
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‘Linda Linda Linda’ Rocks
This high-school movie makes you want to start a band.
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The Bold Visions of ‘The Beast’ and ‘The People’s Joker’
New movies from Bertrand Bonello and Vera Drew, reviewed.
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‘Dogfight’: A Tender Precursor to ‘Before Sunrise’
Nancy Savoca’s period romance does a lot with a little.
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The Passion of ‘Billie Jean’
‘The Legend of Billie Jean’ is an odd cocktail that goes down easy.
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The Goofy Alarmism of ‘High School Confidential!’
The infamous 1958 high-school drama epitomizes product-of-its-time silliness.
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‘My Own Private Idaho’ is Lucky to Have River Phoenix
Writer-director Gus Van Sant’s insistent overstylization would sink the film if not for the heartbreaking, vivid work of the late actor.
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End Times
‘Civil War’ and ‘Do Not Expect Too Much from the End of the World,’ reviewed.
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‘Girlhood’: A Bracing Coming-of-Age Drama from Céline Sciamma
Sciamma avoids the genre’s fondness for sentimentality.
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Fresh from a Grammy Win, säje Looks Ahead
The vocal supergroup won a Grammy earlier this year. Now, it’s turning its focus to touring and a new album.
NOVEMBER 2026
The Theme is ‘Sibling Bonds’
ASDFJHGSD


‘Visible Secret’ is a Low-Key, Surprisingly Spooky Romantic Comedy
Ann Hui’s 2001 movie posits what a rom-com might look like with a ‘Sixth Sense’-esque underlay.

October 16, 2026

August 19, 2026

May 25, 2026
Smoke and Mirrors
Nathan Fielder and Lance Oppenheim’s inventive documentary isn’t just about the disgraced entrepreneur Elizabeth Holmes.
October 19, 2026


Ghost World
Kaneto Shindō’s ‘Kuroneko’ is still forward-looking in its contempt for patriarchal devastation.
October 15, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026












