PETERSON REVIEWS
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‘Black Mama, White Mama’: An Exploitation-Movie Riff on ‘The Defiant Ones’
It’s worth watching just to see Pam Grier gearing up for the action-heroine roles for which she’d soon be famous.
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Odds & Ends: February 2024
Notes from the last month.
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‘Drive-Away Dolls’ is a Goofy Road Comedy
Plus: ‘Madame Web’ is not necessarily better than you’ve heard — but it might be more entertaining.
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‘The Way He Looks’ is a Deeply Felt Teen Romance
Daniel Ribeiro’s rom-com is anchored by a moving lead performance from Ghilherme Lobo.
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‘Something to Talk About’ Barely Gives You Anything
The movie flimsily approaches potentially rich material.
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The Soul and Sensitivity of ‘The Blue Caftan’
Though driven by a narrative that sounds straight out of a melodrama, this romantic drama proves more emotionally subtle than sensational.
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There’s Always Tomorrow
On ‘Sylvie’s Love’ and ‘One Night in Miami.’
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‘Stepmom’ is a Maudlin, Sometimes Effective, Tearjerker
Chris Columbus’ 1998 melodrama has five credited writers — and it shows.
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‘Millennium Mambo’ is a Haunting, Lyrical Study of a Life in Stasis
‘Millennium Mambo’ doesn’t need us to know too much about its characters’ inner lives; it’s more about capturing feelings and moods — the listlessness of a woman floating through life because she isn’t sure what else to do.
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The Coming-of-Age Horrors of ‘Lisa Frankenstein’ and ‘How to Have Sex’
New movies from Zelda Williams and Molly Manning Walker, reviewed.
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‘Notting Hill’: A Star-Crossed Romance
Julia Roberts and Hugh Grant do wonders to soften — but not completely distract from — the contrivances of Roger Michell’s romantic comedy.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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In ‘Menus-Plaisirs – Les Troisgros,’ It’s All in the Process
Revisiting Frederick Wiseman’s 44th documentary, which trains its gaze on the Troisgros family and its various culinary pursuits.

August 19, 2026

May 25, 2026

May 13. 2026

Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026


Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026












