PETERSON REVIEWS
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‘The Witch’s Mirror’: Inventive, To-the-Point Gothic Horror from Mexico
This 75-minute movie makes so many narrative pivots that it can feel like several films in one. That isn’t a bad thing.
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Sin and Vice
On ‘The Strange Vice of Mrs. Wardh,’ ‘Your Vice is a Locked Room and Only I Have the Key,’ and ‘All the Colors of the Dark,’ an informal trilogy from Sergio Martino starring Edwige Fenech.
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‘I Vampiri’ is Both Nothing Special and Very Special
On Riccardo Freda’s stylish, historically significant horror movie.
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‘Baby Blood’ is Slippery, Gnarly Pregnancy Horror
Carrying a baby to term is already hard enough. What if you had to lug around a parasite forcing you to feed on human blood, too?
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Basic Instinct
‘Fair Play’ and ‘The Royal Hotel,’ reviewed.
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Marki Bey Makes ‘Sugar Hill’ Worth Watching
This voodoo-heavy revenge thriller is so-so, but Bey’s steely performance gives it some charge.
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‘Ghostwatch’ is a Masterwork of the Found-Footage Horror Subgenre
‘Ghostwatch’’s blacklisted quality only heightens the good time
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Terror and Transformation in ‘The White Reindeer’
Recognized as one of Finland’s first genre movies, Erik Blomberg’s feature debut is a chilling story of domestic malaise and transformation.
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‘Five Dolls for an August Moon’: A Stylish, Silly Riff on ‘And Then There Were None’
Mario Bava’s waterlocked mystery is far from his best, but it’s at least predictably great to look at.
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Love and War in ‘Strange Way of Life’
On Pedro Almodóvar’s new short.
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The Force and Fury of ‘The Last of the Mohicans’
Still unlike anything he’s ever done, Michael Mann’s 1992 historical epic is spectacular in a how-did-they-do-this kind of way without letting its astonishing presentation eclipse everything else.
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François Truffaut’s Taming of a ‘Wild Child’
The French filmmaker’s dramatization of the real-life case of Victor of Aveyron is frequently moving, but it’s hampered by its aloof presentation and Truffaut’s casting of himself in the lead role.
MARCH 2026
The Theme is ‘Acting’
ASDFJHGSD
‘Hollywood Shuffle’ Cuts Deep
The movie established director-actor-co-writer Robert Townsend not only as an astute critic but a limber comedy performer in the improv tradition.
February 4, 2025
November 6, 2025
October 27, 2025
Disobedience
John Sayles’ groundbreaking ‘Lianna’ was a landmark — albeit a criminally underseen one — for lesbian representation in cinema.
February 25, 2026
Trouble in Paradise
On the screwball-comedy perfection of 1937’s ‘The Awful Truth.’
February 23, 2026
The Heart of the Matter
Asghar Farhadi’s ‘A Separation’ more than sidesteps divorce-movie expectations.
February 16, 2026
Peterson Reviews 