PETERSON REVIEWS
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‘Dead Men Don’t Wear Plaid’ is Like Catnip for Classic Hollywood Devotees
This 1982 parody film might be a little less entertaining for non-adherents, though.
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Seattle Couldn’t Quit Haim
For 425: The eminently lovable sister act stopped by Seattle’s WAMU Theater as part of its I Quit tour.
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‘House of Bamboo’’s Style Can Only Take It So Far
Samuel Fuller’s Tokyo-set noir is a visual treat, but it’s thwarted by a thoroughly unengaging lead performance.
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‘It’s Really Important to Us to Bring That Female Perspective’: Inside Emergence Films’ Mission to Support Women Filmmakers
For 425: Launched in 2016, and with a new philanthropic initiative announced this year, the Sienna Beckman- and Rachel Noll James-founded film company looks to give creative opportunities to women in a male-dominated field.
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Get Shorty
It doesn’t matter that Howard Hawks’ 1946 adaptation of ‘The Big Sleep’ doesn’t make any sense.
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Sleuthing is a Nightmare in ‘Angel Heart’
The creepy aesthetic of Alan Parker’s horror-inflected detective movie from 1987 is the strongest thing about it.
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Richard Roundtree is Electric in ‘Shaft’
Gordon Parks’ 1971 thriller, and Roundtree’s terrific work in it, paved the way for a new generation of Black action heroes.
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Mirror Images
‘Twinless’ and ‘The Conjuring: Last Rites,’ reviewed.
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‘Joint Security Area’ Emotionally Complicates the Whodunit
Park Chan-wook’s Korean Demilitarized Zone-set mystery is less interested in investigative twistiness than the surprisingly touching, then tragic, backstory behind its plot-driving murders.
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Misery Business
‘Splitsville’ and ‘Caught Stealing,’ reviewed.
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Candy Land
Jacques Rivette’s free-wheeling 1974 epic ‘Céline and Julie Go Boating’ is charmingly confounding.
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The Nasty, Brutish, and Short ‘Three on a Match’
This entertaining, bite-size soap is almost absurdly bleak.
FEBRUARY 2026
The Theme is ‘Divorce’
ASDFJHGSD
The Slow-Burning Dread of ‘Affliction’
‘Affliction’ is a frightening drama about the ripple effects of abuse.
November 6, 2025
October 27, 2025
September 17, 2025
Next Lifetime
Apichatpong Weerasethakul’s ‘Uncle Boonmee Who Can Recall His Past Lives’ is a deceptively serene meditation on mortality.
January 29, 2026
Final Hours
Michael Roemer’s ‘Dying’ is breathtakingly honest about the emotional realities of terminal illness.
January 26, 2026
Mind Games
Mohammad Reza Aslani’s gorgeously shot melodrama ‘Chess of the Wind’ is a revelation that was very nearly lost forever.
January 19, 2026
Peterson Reviews 