PETERSON REVIEWS
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The Boundless Energy of ‘She Shoots Straight’
Corey Yuen’s 1990 revenge thriller is a masterclass in action filmmaking.
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Frenemy Melodrama ‘The Turning Point’ Lets Shirley MacLaine and Anne Bancroft Down
The 1977 Oscar nomination-gobbling soap opera is far more tedious than one might expect.
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Romantic Commitment is a Nightmare in ‘Together’
For South Sound: ‘Together’ and ‘The Naked Gun,’ reviewed.
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Brighter Days Ahead
Lino Brocka’s ‘Manila in the Claws of Light,’ from 1975, has rightfully long been heralded as the crown jewel of Filipino cinema.
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Sexy Beast
Alain Delon was at his most astonishing-looking in ‘Purple Noon,’ René Clément’s 1960 adaptation of Patricia Highsmith’s dark, seductive ‘The Talented Mr. Ripley.’
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Iggy Pop’s Raw Power
For 425: What I saw at the rock iconoclast’s show at Redmond’s Marymoor Park.
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‘To a Land Unknown’ is a Harrowing, Deeply Compassionate Thriller
Danish-Palestinian filmmaker Mahdi Fleifel’s long-in-the-making second feature is one of the year’s best movies.
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‘The Inkwell’ is Marred by Bad Judgment
Matty Rich’s second — and surprisingly last — movie is a pretty good coming-of-age drama until it reaches its ill-conceived conclusion.
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The Fascinating Parallels of ‘Million Dollar Mermaid’
Esther Williams plays, in this 1952 biopic, the only person who came close to her unusual type of stardom.
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Fools for Love
‘Pauline at the Beach,’ one of Éric Rohmer’s many vacation-set movies, is also among his best.
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‘Big Wednesday’ is an Elegiac Ode to the Joys of Youth
John Milius’ 1978 coming-of-age film effectively evokes nostalgic bittersweetness but is hampered by thinly written characters.
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‘Sorry, Baby’: Eva Victor’s Shattering, Clear-Eyed Filmmaking Debut
For 425: The comedian turned filmmaker’s first movie is by turns devastating and wryly funny.
JANUARY 2026
The Theme is ‘Endings’
ASDFJHGSD
‘In the Bedroom’ is a Powerful Meditation on Grief
On actor turned director Todd Field’s first effort as a filmmaker.
November 6, 2025
October 27, 2025
September 17, 2025
The Hunger
Antonio Pietrangeli’s 1965 black comedy ‘I Knew Her Well’ is one of its decade’s most undersung works.
December 18, 2025
Parallel Lines
Zeinabu irene Davis’ one and only feature-length movie, 1999’s ‘Compensation,’ has gotten a well-deserved second life this year.
December 3, 2025
Do the Right Thing
Abbas Kiarostami’s Koker trilogy-commencing ‘Where is the Friend’s House?’ empathetically sees the world through a particularly well-meaning child’s eyes.
November 12, 2025
Peterson Reviews 