PETERSON REVIEWS
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‘Heartburn’ Sticks Too Close to the Surface
Meryl Streep is lovable as Nora Ephron’s stand-in in the 1986 adaptation of the latter’s same-named novel, but you can’t help but want it to mine its divorce plot more thoroughly.
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‘Waiting to Exhale’ is Easy to Love
The 1995 dramedy is satisfyingly pessimistic about love and relationships and dead serious about the power of friendship.
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The Vashon Island Distributor Behind Kristen Stewart’s Feature-Directing Debut
For South Sound Business: The Forge is kicking off 2026 with its highest-profile release yet.
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Jodie Foster Shows Off Her French Cred in ‘A Private Life’
Plus: ‘Sound of Falling’ is a technically accomplished but dramatically inert coming-of-age drama. (For 425)
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Next Lifetime
Apichatpong Weerasethakul’s ‘Uncle Boonmee Who Can Recall His Past Lives’ is a deceptively serene meditation on mortality.
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Life During Wartime
‘Mr. Nobody Against Putin’ and ‘Atropia,’ reviewed.
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Final Hours
Michael Roemer’s ‘Dying’ is breathtakingly honest about the emotional realities of terminal illness.
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‘Southern Comfort’ Compassionately Captures an Extraordinary Life
On Kate Davis’ 2001 documentary.
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Survivors
‘All That’s Left of You’ and ‘28 Years Later: The Bone Temple,’ reviewed.
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Mind Games
Mohammad Reza Aslani’s gorgeously shot melodrama ‘Chess of the Wind’ is a revelation that was very nearly lost forever.
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The Wintry, Melancholy Loveliness of ‘The Dead’
On John Huston’s posthumously released swan song.
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All in the Family
‘The Chronology of Water,’ ‘Father Mother Sister Brother,’ and ‘Rosemead,’ reviewed.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
ASDFJHGSD
In ‘Menus-Plaisirs – Les Troisgros,’ It’s All in the Process
Revisiting Frederick Wiseman’s 44th documentary, which trains its gaze on the Troisgros family and its various culinary pursuits.
August 19, 2026
May 25, 2026
May 13. 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
Peterson Reviews 