PETERSON REVIEWS
space
-
Delphine Seyrig is Transcendent in ‘Daughters of Darkness’
The actress is magnetic as a villainous character that riffs on the legend of the homicidally vain noblewoman Elizabeth Báthory.
-
The Chaotic Charms of ‘One Battle After Another’ and ‘The Balconettes’
For South Sound: New movies from Paul Thomas Anderson and Noémie Merlant, reviewed.
-
‘Death on the Nile’ is a Cozy Stew of a Murder Mystery
The cinematic sequel to 1974’s ‘Murder on the Orient Express’ is especially propelled by the infectious fun its star-studded cast seems to be having.
-
‘Police Story,’ a High-Water Mark for Action Filmmaking, is Spoiled By Poor Taste
When not boasting some of film history’s most athletic action set pieces, the 1985 comedy thriller often cloddishly attempts slapstick humor.
-
‘Dead Men Don’t Wear Plaid’ is Like Catnip for Classic Hollywood Devotees
This 1982 parody film might be a little less entertaining for non-adherents, though.
-
Seattle Couldn’t Quit Haim
For 425: The eminently lovable sister act stopped by Seattle’s WAMU Theater as part of its I Quit tour.
-
‘House of Bamboo’’s Style Can Only Take It So Far
Samuel Fuller’s Tokyo-set noir is a visual treat, but it’s thwarted by a thoroughly unengaging lead performance.
-
‘It’s Really Important to Us to Bring That Female Perspective’: Inside Emergence Films’ Mission to Support Women Filmmakers
For 425: Launched in 2016, and with a new philanthropic initiative announced this year, the Sienna Beckman- and Rachel Noll James-founded film company looks to give creative opportunities to women in a male-dominated field.
-
Get Shorty
It doesn’t matter that Howard Hawks’ 1946 adaptation of ‘The Big Sleep’ doesn’t make any sense.
-
Sleuthing is a Nightmare in ‘Angel Heart’
The creepy aesthetic of Alan Parker’s horror-inflected detective movie from 1987 is the strongest thing about it.
-
Richard Roundtree is Electric in ‘Shaft’
Gordon Parks’ 1971 thriller, and Roundtree’s terrific work in it, paved the way for a new generation of Black action heroes.
-
Mirror Images
‘Twinless’ and ‘The Conjuring: Last Rites,’ reviewed.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 