PETERSON REVIEWS
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‘House Party’ is a Good Time
‘House Party’ is enjoyable and undemanding; like the festivities Kid has to work so hard to get to, it’s built, above all, for a night of fun.
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‘The Miracle of Morgan’s Creek’ is as Nightmarish as it is Goofy
The action in the screwball comedy ‘The Miracle of Morgan’s Creek’ is so unfalteringly goofy that we sometimes forget that its premise is fundamentally nightmarish.
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‘Stripes’: Joining the Military for the Laugh
Like the previous year’s ‘Private Benjamin,’ military life is broadly made to look sort of fun — the perfect playground for a sitcom.
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24 Hours in Hell
On ‘Old’ and ‘First Date,’
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Traveling Man
On ‘Roadrunner’ and ‘Pig.’
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‘The Stranger’ is a Family-Reunion Drama with the Lift of a Thriller
‘The Stranger’’s subversiveness, unexpectedly, lies in its optimism — its unspoken plea for open-heartedness.
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‘Choose Me’ is Classed-Up Soap Opera
‘Choose Me’ is made up almost entirely of romantic entanglements.
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Ghosts
On ‘The Trial’ and ‘The Immortal Story.’
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‘Nightmare Alley’ is a Creepy Rise-and-Fall Story
The movie is so rousingly cynical, the possibility of instantaneous death comes off as sort of merciful.
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Slow Deaths
On ‘Black Widow,’ ‘Fear Street Part 1: 1994,’ and ‘No Sudden Move.’
MARCH 2026
The Theme is ‘Acting’
ASDFJHGSD


‘Notting Hill’: A Star-Crossed Romance
Julia Roberts and Hugh Grant do wonders to soften — but not completely distract from — the contrivances of Roger Michell’s romantic comedy.

February 4, 2025

November 6, 2025

October 27, 2025

Disobedience
John Sayles’ groundbreaking ‘Lianna’ was a landmark — albeit a criminally underseen one — for lesbian representation in cinema.
February 25, 2026
Trouble in Paradise
On the screwball-comedy perfection of 1937’s ‘The Awful Truth.’
February 23, 2026


The Heart of the Matter
Asghar Farhadi’s ‘A Separation’ more than sidesteps divorce-movie expectations.
February 16, 2026













