PETERSON REVIEWS
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‘Wake in Fright’ is a Terrifying Descent-Into-Madness-Style Horror Movie
This is a horror film mining its terrors purely from the plausible.
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Lauren Bacall Deserves a Better Vehicle Than ‘The Fan’
The most lurid elements of the movie — which take up most of ‘The Fan’ — almost feel tacked-on.
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‘I’ll Take You There’ is a Rom-Com That Avoids Convention
‘I’ll Take You There’ never feels less than empathetic.
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‘France’ and ‘No Exit’ Keep You On Your Toes
Much of the fun of these new streaming releases is the unexpected turns they take.
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‘Made in Hong Kong’: A Breakthrough for Fruit Chan
Made in Hong Kong’s absence of convincing emotional specificity makes it more admirable than truly affecting.
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‘Brown Sugar’ Feels Like a Classic Before You’ve Even Finished It
‘Brown Sugar’ is one of the best romantic comedies of its decade.
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Terror and Transformation in ‘The Cursed’ and ‘Strawberry Mansion’
Diving into a new werewolf movie and a trippy comedy.
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‘Sudden Manhattan’: A Charming Debut from Adrienne Shelly
‘Sudden Manhattan’ is one of the best elucidations of being in your mid-20s and thinking everything is hopeless — including yourself — I’ve seen in a long time.
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‘The Pizza Triangle’ Reminds You That Monica Vitti Was So Much More Than a So-Called Ice Maiden
I unwittingly watched ‘The Pizza Triangle’ the night before Vitti died at the age of 90.
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‘The Unbelievable Truth’ Leaves a Mark
Hartley and Shelly’s partnership might have been fleeting, but the imaginativeness of ‘The Unbelievable Truth’ presses on.
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Looking for Answers in ‘The Worst Person in the World’ and ‘KIMI’
Notes on a Best International Film nominee and a new Seattle-shot thriller.
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‘Big Girls Don’t Cry … They Get Even’ Reminds You How Much More Joan Micklin Silver Was Capable Of
This is a pleasant, diverting movie, though it’s distractingly a bit at war with itself.
NOVEMBER 2026
The Theme is ‘Sibling Bonds’
ASDFJHGSD
‘Twins of Evil’ is Sharper Than You’d Think
Though mostly made to capitalize on the newly minted sex symboldom of identical-twin sisters Mary and Madeleine Collinson, this 1971 horror movie ends up being a decent critique of puritanical hypocrisy.
October 16, 2026
August 19, 2026
May 25, 2026
Smoke and Mirrors
Nathan Fielder and Lance Oppenheim’s inventive documentary isn’t just about the disgraced entrepreneur Elizabeth Holmes.
October 19, 2026
Ghost World
Kaneto Shindō’s ‘Kuroneko’ is still forward-looking in its contempt for patriarchal devastation.
October 15, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
