PETERSON REVIEWS
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I’m on Spring Break. Posts will resume on April 20.
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‘The Loneliest Planet’ Upends the End-of-a-Relationship Movie
The movie isn’t about who these people are, but how they respond to the unexpected.
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‘Road to Morocco’ Has You Had-to-Be-There-Itis
This is a movie whose comedy feels distinctly 1942.
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Clouds
On ‘The Card Counter’ and ‘Malignant.’
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Detours
On ‘Bad Education.’
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Yes, No, Maybe
On ‘Ema’ and ‘No.’
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The Lull of the Road in ‘Two-Lane Blacktop’
The evocative ‘Two-Lane Blacktop’ is most interested in the road’s dreamy monotony and the spell it can put you under.
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Dark Pasts
On ‘Candyman’ and ‘The Night House.’
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The Keyed-Up Horrors of ‘Amores Perros’
You’re never at ease while watching it — almost everything about it is assaultive.
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‘Cooley High’ Hits You Where It Hurts
This is a hopeful and funny, then profoundly tragic, coming-of-age comedy that has a well-worn quality.
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Bill Murray Gives One of His Best Performances in ‘Broken Flowers’
I’d have liked it if his Don were less inscrutable. But I suppose the central, mostly unanswered enigma — why is he like this — is also sort of the point.
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Life Changes
On ‘Summer of 85,’ ‘CODA,’ and ‘Séance.’
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‘What About Bob?’: More Amusing Than Funny
Though unambiguously a comedy, ‘What About Bob?’ is a movie borne of nightmare logic.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 