PETERSON REVIEWS
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Waves
On ‘Before Night Falls’ and ‘The Sea Inside.’
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‘Broadcast News’ is a Great Romantic Comedy
Nothing exists in a simple binary in Albert L. Brooks’ dazzling 1987 comedy.
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A Miscast Nicole Kidman and Javier Bardem Are the Least of ‘Being the Ricardos’’ Problems
Plus: ‘West Side Story.’
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‘Mishima: A Life in Four Chapters’ is an Exhilarating Biopic
You don’t finish ‘Mishima’ with a holistic sense of who this man was. That doesn’t seem to be what Schrader has in mind, anyway.
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‘C’mon C’mon’ is One of the Year’s Loveliest Movies
Plus: ‘Benedetta.’
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‘The Hours’ Washes Over You
Despite the specificities of its characters’ pain, ‘The Hours’ finds universalities with such resounding precision that you finish it still underneath its clouds.
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‘Mondays in the Sun’ Feels Stuck in a Lull, But That’s Part of the Point
The movie was among Spain’s most decorated films of 2002.
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‘Fletch’ is a Breezy Detective Romp
‘Fletch’ goes by with the odd sense that there is almost nothing to really be worried about, because this preternaturally assured journalist is going to figure it all out.
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‘Get Back’ Casts The Beatles’ Final Days in a New Light
I’d watch the remaining 52 hours of footage if I could.
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‘The Power of the Dog’ is Another Triumph for Jane Campion
The film carries on the director’s long-standing inclination toward the literary.
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‘The 24-Hour Woman’ Can Be Scattered, But It Can Be Incisive, Too
‘The 24-Hour Woman’’s feelings of disarray reach their peak near its end, when we get a finale so extravagantly illogical that I thought for sure I’d only endure a few more minutes of it before an “it was all just a dream” reveal.
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‘The Bad and the Beautiful’ is an Essential Hollywood Melodrama
Vincente Minnelli doesn’t mince anything here.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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‘Bigger Than Life”s Resounding Anger
By the film’s end, which offers no resounding resolution, you feel practically pummeled by its driving dilemma.
August 19, 2026
May 25, 2026
May 13. 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
Peterson Reviews 