PETERSON REVIEWS
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I’m on Spring Break. Posts will resume on April 20.
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‘Fritz the Cat’: Historically Important, and Also a Mess
But even if ‘Fritz the Cat,’ a big hit in 1972, isn’t very good, I do think it’s worth seeing.
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Voices
On ‘Annette’ and ‘Respect.’
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On ‘Caddyshack’
‘Caddyshack’ never quite coalesces, but it has its moments.
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Headhunting
On ‘The Green Knight’ and ‘Suicide Squad.’
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‘House Party’ is a Good Time
‘House Party’ is enjoyable and undemanding; like the festivities Kid has to work so hard to get to, it’s built, above all, for a night of fun.
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‘The Miracle of Morgan’s Creek’ is as Nightmarish as it is Goofy
The action in the screwball comedy ‘The Miracle of Morgan’s Creek’ is so unfalteringly goofy that we sometimes forget that its premise is fundamentally nightmarish.
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‘Stripes’: Joining the Military for the Laugh
Like the previous year’s ‘Private Benjamin,’ military life is broadly made to look sort of fun — the perfect playground for a sitcom.
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24 Hours in Hell
On ‘Old’ and ‘First Date,’
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Traveling Man
On ‘Roadrunner’ and ‘Pig.’
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‘The Stranger’ is a Family-Reunion Drama with the Lift of a Thriller
‘The Stranger’’s subversiveness, unexpectedly, lies in its optimism — its unspoken plea for open-heartedness.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD


The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026













