PETERSON REVIEWS
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Secrets Revealed
On ‘Nobody,’ ‘The Mitchells vs. the Machines,’ and ‘Stowaway.’
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‘Memories of Murder’ is an Exemplary Police Procedural
Writer-director Bong Joon-ho, doing masterful work in what was surprisingly only his second feature film, assiduously avoids offering a familiar “one bad apple” argument.
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‘The Long Good Friday’ is a Perfect Gloomy Mob Drama
Bob Hoskins, masterful, manages to make us care about a man who is for all intents and purposes ruthless and blackhearted.
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Flawed Victories
On ‘Love and Monsters’ and ‘Mortal Kombat.’
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Sentimental Journeys
On ‘The Great Race.’
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Robin Givens Sizzles in ‘A Rage in Harlem’
After a while I stopped watching ‘A Rage in Harlem’ looking for a thrill via the narrative and more for its handsome period atmosphere.
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‘…All the Marbles’: Robert Aldrich’s Fun Swan Song
It’s among his lightest, easiest-to-enjoy projects.
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Telling Stories
On ‘Bad Trip’ and ‘Night of the Kings.’
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‘The American Friend’ Works Over You Slowly
Wim Wenders adapts Patricia Highsmith.
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‘Sapphire’ Has Noble Intentions, But Still Feels Safe
For a brief period beginning in the late 1950s, English director Basil Dearden and his producing partner, Michael Relph, decided to focus their attention on several projects through which they could explore social issues often left underexamined in British cinema.
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The Midlife Crises of ‘Husbands’
The highest compliment I can give ‘Husbands’ is that I didn’t notice any false notes in it.
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Cold Sweat: Two by Samuel Fuller
On ‘Pickup on South Street’ and ‘The Crimson Kimono.’
JUNE 2026
The Theme is ‘Pride’
ASDFJHGSD
‘Edge of Seventeen’: A Wonderful Coming-of-Age Movie with Few False Notes
Even when the narrative of the film itself isn’t always, it’s a joy to watch a gay coming-of-age movie that neither sugarcoats things nor emphasizes hardship.
May 25, 2026
May 13. 2026
March 27, 2026
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 