PETERSON REVIEWS
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It’s Gonna Rain
On ‘I May Destroy You’ and ‘Selling Sunset.’
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‘A Quiet Place in the Country’ Has No Trouble Unsettling Us
Does ‘A Quiet Place in the Country’ belong to the haunted-house subgenre, or the ‘descending into madness’ subgenre?
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Cruel Summer
On ‘La Collectionneuse,’ ‘Long Weekend,’ and ‘La Ciénaga.’
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‘Never Rarely Sometimes Always’: An Essential Abortion Drama
On Eliza Hittman’s remarkable new movie.
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‘The Manchurian Candidate’ is an Arresting Thriller
Demme’s movie arguably creeps under the skin more than the more-unanimously acclaimed 1962 cinematization.
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On ‘Courage Under Fire’
This intermittently forceful war story, doubles as a kind of detective tale.
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‘Cobra’ is a Visual Tour-de-Force and Not a Lot Else
With its sound off, ‘Cobra’ is an exceptional entrée into the action genre.
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Just Be Yourself
On ‘Sympathy for the Devil’ and ‘Let It Be.’
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‘Phase IV’ Expands on Monster-Movie Limitations
On Saul Bass’ sole directing effort.
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Rebirth
On ‘Malcolm X,’ ‘He Got Game,’ and ‘Inside Man.’
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Wild Ones
On ‘Suzi Q’ and ‘The Go-Go’s.’
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‘Special Effects’ is a Plasticky Hitchcock Homage
‘Special Effects’ brims with good ideas, but a surplus of good but iffily executed ideas do not a good movie make.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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‘Bigger Than Life”s Resounding Anger
By the film’s end, which offers no resounding resolution, you feel practically pummeled by its driving dilemma.
August 19, 2026
May 25, 2026
May 13. 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
Peterson Reviews 