PETERSON REVIEWS
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‘My Best Friend’s Wedding’ Isn’t What You Think It’ll Be
‘My Best Friend’s Wedding’ throws cold water on the logical insanity so often inherent to rom-com plots.
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‘The Running Man’ is a Silly Media Satire
‘The Running Man’ is too shortsighted for its own good.
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‘Black Moon’: Tedious Experimenting from Louis Malle
Not all viewable mechanisms for artistic growth have to be viewed.
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Florence Pugh is a Knockout in ‘Lady Macbeth’
Decades from now, Pugh’s work in ‘Lady Macbeth’ might garner a sort of ‘legendary starring debut’ status.
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‘Commando’ is a Fun Star Vehicle for Arnold Schwarzenegger
This is paint-by-numbers action at its best: it knows what its viewers expect of it and delivers.
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‘Personal Best’ Takes the Sports Movie to New Heights
‘Personal Best’ accomplishes many things and well, but among the most impressive of its achievements is that is also functions, almost off-handedly, as a paean to the undersung and the could-have-beens.
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The Unpredictable Menace of ‘The Prowler’
‘The Prowler’ is a red herring of a title until it isn’t anymore.
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Purgatories
‘Predator’ and ‘The Last Action Hero,’ reviewed.
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‘A Chinese Ghost Story’ Feels Like It Could Be Recounted Over a Campfire
Just like how even told-to-death, campfire-baiting ghost stories never truly get old if told the right way, movies like ‘A Chinese Ghost Story’ don’t either.
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‘Trouble in Mind’ is Cold to the Touch
‘Trouble in Mind’ is in a state of used to be.
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‘Logan’s Run’ is an Intriguing Dystopian Thriller
The seriousness of the world-building and concepts is at odds with the look of the movie.
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‘Conan the Barbarian’: The Movie That Made Arnold Schwarzenegger a Star
This is a project manifestly as interested in thrill-giving as it is in milieu-building.
MARCH 2026
The Theme is ‘Acting’
ASDFJHGSD
‘Notting Hill’: A Star-Crossed Romance
Julia Roberts and Hugh Grant do wonders to soften — but not completely distract from — the contrivances of Roger Michell’s romantic comedy.
February 4, 2025
November 6, 2025
October 27, 2025
Disobedience
John Sayles’ groundbreaking ‘Lianna’ was a landmark — albeit a criminally underseen one — for lesbian representation in cinema.
February 25, 2026
Trouble in Paradise
On the screwball-comedy perfection of 1937’s ‘The Awful Truth.’
February 23, 2026
The Heart of the Matter
Asghar Farhadi’s ‘A Separation’ more than sidesteps divorce-movie expectations.
February 16, 2026
Peterson Reviews 