Tag: 2020s
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The Lonely Souls of ‘Die My Love’ and ‘Frankenstein’
For South Sound: New movies from Lynne Ramsay and Guillermo del Toro, reviewed.
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Breaking Points
‘If I Had Legs I’d Kick You,’ ‘Blue Moon,’ and ‘A House of Dynamite,’ reviewed.
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‘After the Hunt’’s Shades of Gray
Luca Guadagnino’s higher education-set follow-up to November 2024’s ‘Queer’ is ambiguous to the point of not saying much at all.
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The Rock Switches It Up in ‘The Smashing Machine’
Plus: ‘The Official Release Party of a Showgirl’ is a disappointing theatrical accessory to a disappointing album.
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The Chaotic Charms of ‘One Battle After Another’ and ‘The Balconettes’
For South Sound: New movies from Paul Thomas Anderson and Noémie Merlant, reviewed.
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Mirror Images
‘Twinless’ and ‘The Conjuring: Last Rites,’ reviewed.
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Misery Business
‘Splitsville’ and ‘Caught Stealing,’ reviewed.
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The Late-Period Hits and Misses of ‘Honey Don’t!’ and ‘Highest 2 Lowest’
For 425: New movies from Ethan Coen and Spike Lee, reviewed.
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The Powerful Testimonies of ‘Sudan, Remember Us’
Journalist and filmmaker Hind Meddeb’s latest project is an indispensable, multiperspective account of resistance.
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‘Weapons’ is a Step Down for Zach Cregger
A busy narrative approach and some resonant topicality can’t obscure the much-buzzed-about movie’s limitations.
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Romantic Commitment is a Nightmare in ‘Together’
For South Sound: ‘Together’ and ‘The Naked Gun,’ reviewed.
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‘To a Land Unknown’ is a Harrowing, Deeply Compassionate Thriller
Danish-Palestinian filmmaker Mahdi Fleifel’s long-in-the-making second feature is one of the year’s best movies.
Peterson Reviews 