Tag: 2020s
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The Past is Present
‘Mouse,’ ‘Queen at Sea,’ and ‘Once Upon a Time in Harlem,’ reviewed.
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Arduous Journeys
‘Making Marie Antoinette,’ ‘Fatherland,’ and ‘Wildwood,’ reviewed.
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‘It’s Like Summer Camp Has Come to an End’: Kacey Musgraves Wraps Up Tour in Seattle
For 425: The second evening of the country star’s two-night Climate Pledge Arena residency matched the energy of her fun, irreverent style.
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Getting Lost with Phoebe Bridgers
For 425: The singer-songwriter’s phone-free show at Climate Pledge Arena made her new album even better.
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‘The Only Living Pickpocket in New York’ Knows the Power of John Turturro
The actor is characteristically excellent in a rare leading turn, but there isn’t enough of a movie supporting him.
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‘You Can See Everything’ is a Hall-of-Mirrors Masterpiece
Nathan Fielder and Lance Oppenheim’s inventive documentary isn’t just about the disgraced entrepreneur Elizabeth Holmes.
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Destroyers
‘Naza’ and ‘Musk,’ reviewed.
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The Exploratory Charms of ‘The History of Concrete’
Plus: ‘Verity’ ruins its own high thriller potential. (For South Sound)
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‘Primetime’ is a Lurid Showbiz Comedy
Plus: ‘Chronovisor’ is among the year’s most engrossing thrillers. (For 425)
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‘Our Land’ is a Different Kind of Courtroom Drama
Lucrecia Martel’s first foray into documentary filmmaking uses a much-publicized trial as a conduit to examine her native Argentina’s corrosive colonialist history.
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Memory and Family Are Not to Be Trusted in ‘Romería’
Now playing on The Criterion Channel, Carla Simón’s elegant new movie fictionalizes her genealogical history with productive reticence.
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The Perennially Relevant ‘Ladybug Ladybug’
The frustrations at the heart of Eleanor and Frank Perry’s 1963 Cold War drama have barely faded.
