Tag: 2020s
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‘You Can See Everything’ is a Hall-of-Mirrors Masterpiece
Nathan Fielder and Lance Oppenheim’s inventive documentary isn’t just about the disgraced entrepreneur Elizabeth Holmes.
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Destroyers
‘Naza’ and ‘Musk,’ reviewed.
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The Exploratory Charms of ‘The History of Concrete’
Plus: ‘Verity’ ruins its own high thriller potential. (For South Sound)
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‘Primetime’ is a Lurid Showbiz Comedy
Plus: ‘Chronovisor’ is among the year’s most engrossing thrillers. (For 425)
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‘Our Land’ is a Different Kind of Courtroom Drama
Lucrecia Martel’s first foray into documentary filmmaking uses a much-publicized trial as a conduit to examine her native Argentina’s corrosive colonialist history.
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Memory and Family Are Not to Be Trusted in ‘Romería’
Now playing on The Criterion Channel, Carla Simón’s elegant new movie fictionalizes her genealogical history with productive reticence.
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The Perennially Relevant ‘Ladybug Ladybug’
The frustrations at the heart of Eleanor and Frank Perry’s 1963 Cold War drama have barely faded.
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Stepping Up
‘American Doctor’ and ‘Mad Bills to Pay,’ reviewed.
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The Meticulous Empathy of ‘Descendant’
In 2019, a sunken slave ship was discovered, after years of speculation, in Alabama’s Mobile River. A great 2022 documentary, ‘Descendant,’ powerfully probes the aftermath.
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‘Sherman’s March’ is Pretty Exhausting
It’s easy to see why Ross McElwee’s 1986 documentary was so influential. It can also be enervating.
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‘The End of Oak Street’ is Entertainingly Derivative
Plus: The much-delayed Looney Tunes comedy ‘Coyote vs. Acme’ is, for the most part, worth the wait. (For 425)
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Love Letters
‘Teenage Sex and Death at Camp Miasma,’ ‘A Sad and Beautiful World,’ and ‘Cactus Pears,’ reviewed.
