Tag: Review
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The White Lines and White Lies of ‘Cocaine Bear’ and ‘Huesera: The Bone Woman’
Elizabeth Banks’ silly new creature feature and an auspicious horror debut, reviewed.
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The Painful Triumphs of ‘A Woman Like Eve’
This frank, ahead-of-its-time marriage drama trains its focus on a housewife who leaves her dominating husband for another woman.
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‘Alien vs. Predator’ is About as Good as It Could Be
That this movie cursed with simultaneously reviving two flagging franchises is perfunctory fun is kind of a triumph.
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Though Minor in Stature, ‘A Very Natural Thing’ Feels Major
‘A Very Natural Thing”s quality is near equal to its importance.
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‘Magic Mike’s Last Dance’ and ‘Your Place or Mine’ Struggle to Find a Rhythm
A sequel and a rom-com.
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Short Takes: ‘Knock at the Cabin,’ ‘Pamela, A Love Story,’ and ’80 for Brady’
M. Night Shyamalan returns, a misunderstood icon sets the record straight, and veteran actresses inspire laughs in Tom Brady propaganda.
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‘Nappily Ever After’ is a Rocky, But Intermittently Touching, Empowerment Tale
Sanaa Lathan elevates material susceptible to limiting tropes and thorny conclusions.
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Virginie Efira is Wonderful in ‘In Bed with Victoria’
‘In Bed with Victoria’ is a movie where the character that gives it its reason for being is better than the film itself.
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‘Les Girls’ Does Both Too Much and Not Enough
This musical, historically significant for being Kelly’s last under an MGM contract originally ratified in 1942, feels less like a victory lap for the storied dancer-actor than a winded last few steps toward the finish line.
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‘Infinity Pool,’ Reviewed: An Interesting Premise, a Fun Mia Goth Performance, and Not a Lot Else
Plus: ‘To Leslie.’
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Forbidden Love and Old Scandals in ‘Fried Green Tomatoes’
The movie’s genuine warmth toward its characters and the stories it tells makes up for most, though hardly all, of its flaws.
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A Touching, Tentative Midlife Romance in ‘Starting Over’
Burt Reynolds, sans mustache, gives one of his best performances in Alan J. Pakula’s tender dramedy.
Peterson Reviews 