PETERSON REVIEWS
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John Carswell’s American Graffiti
For 425: Catching up with a Snohomish County man who’s amassed the world’s largest collection of graffiti and urban art on canvas.
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Cynthia Erivo and Ariana Grande Are Magnificent in ‘Wicked’
Plus: Ridley Scott revisits the ‘Gladiator’ universe nearly 25 years later.
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‘The Grifters’ is Elevated by Its Female Leads
This 1990 adaptation of the 1963 Jim Thompson novel wouldn’t make as much of an impression without Anjelica Huston and Annette Bening.
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Life Changes
‘Emilia Pérez,’ ‘Juror #2,’ and ‘Christmas Eve in Miller’s Point,’ reviewed.
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‘Strange Fascination’: An Auspicious Beginning to a Compelling Partnership
This noir-adjacent melodrama from 1952 marked the start of a six-film-long collaboration between director Hugo Haas and actress Cleo Moore.
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Shadows and Light
Joseph H. Lewis’ lean and mean ‘The Big Combo’ is a low-key triumph of the film noir form.
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Mikey Madison is Wonderful in ‘Anora’
Plus: Steve McQueen returns with a new period piece.
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How Big Picture Made It to 25
For 425: Spouses and co-founders Mark and Katie Stern discuss the business’s evolution, favorite memories, their pioneering business model, and more.
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‘Waist Deep’ is Shallow Fun
This Tyrese Gibson- and Meagan Good-fronted noir benefits from being not much more than solidly made and entertaining.
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‘Love at Large’ is a Seductive, Off-Kilter Noir
Alan Rudolph’s stylish neo-noir has one foot in the past and the other in the present.
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Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.
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‘Visible Secret’ is a Low-Key, Surprisingly Spooky Romantic Comedy
Ann Hui’s 2001 movie posits what a rom-com might look like with a ‘Sixth Sense’-esque underlay.
DECEMBER 2025
The Theme is ‘Wild Cards’
ASDFJHGSD




November 6, 2025

October 27, 2025

September 17, 2025

Do the Right Thing
Abbas Kiarostami’s Koker trilogy-commencing ‘Where is the Friend’s House?’ empathetically sees the world through a particularly well-meaning child’s eyes.
November 12, 2025
Get Shorty
It doesn’t matter that Howard Hawks’ 1946 adaptation of ‘The Big Sleep’ doesn’t make any sense.
September 15, 2025


Candy Land
Jacques Rivette’s free-wheeling 1974 epic ‘Céline and Julie Go Boating’ is charmingly confounding.
August 28, 2025












