PETERSON REVIEWS
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‘The Anderson Tapes’ Can’t Transcend Its Gimmick
And it doesn’t even use its gimmick that effectively.
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Summer Sun
‘Bitter Rice’ is both an incisive commentary on labor struggle and a captivating romantic melodrama.
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You Can’t Take Your Eyes Off Melina Mercouri in ‘Topkapi’
Jules Dassin’s breezy caper is technically an ensemble movie, but nobody captures your attention as much as Mercouri.
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‘Beetlejuice Beetlejuice’ is an Inspired Resurrection
Tim Burton’s new sequel is about as good as the original.
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What to Expect from This Year’s Gig Harbor Film Festival
The event’s executive director, Pamela Holt, talks 2024 upgrades, special guests, favorite films, and more.
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‘How to Steal a Million’ is Frivolous Fun
You’d forget this 1966 caper if not for Audrey Hepburn’s and Peter O’Toole’s affable performances.
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Voyages
On ‘Alien: Romulus’ and ‘Between the Temples.’
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‘The Juniper Tree’: A Feminist Spin on a Fairy Tale Featuring a Pre-Fame Björk
Nietzchka Keene’s most famous feature is more admirable than absorbing, but it has some stunning black-and-white visuals and a performance from a 21-year-old Björk that shows how fully formed her singularity was from the outset.
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The Influential Thrills of ‘A Better Tomorrow’
On John Woo’s pioneering 1986 actioner.
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The Style and Shaky Substance of ‘Blink Twice’
Actress Zoë Kravitz’s first effort behind the camera carries on in the tradition of movies like ‘Don’t Worry Darling’ and ‘Promising Young Woman.’
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‘Bones’ Feels a Little Fractured
Ernest Dickerson’s 2001 horror movie has a solid concept, but its stunt casting of Snoop Dogg feels like a mistake.
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‘Dogs in Space’ Captures a Moment
The 1986 film’s unwillingness to filter anything through a nostalgic lens is what makes it work as well as it does.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 