PETERSON REVIEWS
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‘Love Lies Bleeding’ is a Tense, Propulsive Story of Toxic Love
Kristen Stewart gives one of her best performances yet in Rose Glass’ noir.
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‘Harry and the Hendersons’ is a Slight But Likable Creature Comedy
It’s like ‘E.T.’ with Sasquatch and without the emotional weight.
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Greener Pastures
‘I Saw the TV Glow,’ ‘Furiosa,’ and ‘Evil Does Not Exist,’ reviewed.
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The Relatable Pains of ‘May’
Writer-director Lucky McKee makes us feel sympathy for the devil.
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‘Kindergarten Cop’ is Surprisingly Delightful
This preposterously conceived 1990 comedy comes together a lot better than you might think.
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How the Issaquah Film Festival is Scaling Up This Year
The festival, which debuted last year, is gearing up for a more ambitious second season.
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SIFF Diary: Rainbeers, Bad Grandmas, and Movies About Movies, Oh My!
What I’ve seen in the last week at the Seattle International Film Festival.
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‘Disturbing Behavior’: An Uneasy Riff on ‘The Stepford Wives’
It’s always watchable, but this ostensible horror comedy is never particularly scary or particularly funny.
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Anna Faris Works Her Magic on ‘The House Bunny’
She isn’t the film’s sole source of laughs, but it definitely wouldn’t work as well as it does without her.
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‘It’s Just the Beginning’: Directors of New Lily Gladstone-Narrated Doc Discuss Project
‘Bring Them Home’ is screening this week at the Seattle International Film Festival.
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‘Scorchy’ Makes the Most of Seattle
This cheaply made procedural is dramatically inert, but it beautifully captures the Northwest city in the mid-1970s.
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More Than You Know
On ‘The Fabulous Baker Boys.’
MARCH 2026
The Theme is ‘Acting’
ASDFJHGSD
‘Hollywood Shuffle’ Cuts Deep
The movie established director-actor-co-writer Robert Townsend not only as an astute critic but a limber comedy performer in the improv tradition.
February 4, 2025
November 6, 2025
October 27, 2025
Disobedience
John Sayles’ groundbreaking ‘Lianna’ was a landmark — albeit a criminally underseen one — for lesbian representation in cinema.
February 25, 2026
Trouble in Paradise
On the screwball-comedy perfection of 1937’s ‘The Awful Truth.’
February 23, 2026
The Heart of the Matter
Asghar Farhadi’s ‘A Separation’ more than sidesteps divorce-movie expectations.
February 16, 2026
Peterson Reviews 