PETERSON REVIEWS
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‘The Happiness of the Katakuris’’ Audacity Can Only Get It So Far
Takashi Miike’s exceedingly odd horror-comedy-musical hybrid is, at the very least, truly original.
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Sweating It Out with Charli XCX and Troye Sivan
For 425: The pop stars concluded their coheadlining Sweat Tour at Seattle’s Climate Pledge Arena this week.
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Heaven and Hell
‘Island of Lost Souls’ is still chilling nearly a century later.
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Portraits
‘Sweetheart Deal’ and ‘Exhibiting Forgiveness,’ reviewed.
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Strange Invader
On the horrifying violations of 1982’s ‘The Entity.’
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‘The Book of Stone’: Slow-Burning Horror Done Right
Carlos Enrique Taboada’s fourth film as a director extols the virtues of taking your time in a genre prone to revealing too much too soon.
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Liv Victorino Would Like to Reintroduce Herself
For 425: Armed with a new single, with another on the way soon, the Sammamish-raised singer-songwriter is looking to expand the sound and scope first heard on her debut EP.
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‘Phenomena’ Sticks the Landing
Otherwise, Dario Argento’s 1985 return to the supernatural is mostly a slog.
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The Homemade Charms of ‘Bugged’
Notable for being a rare monster movie with a nearly all-Black cast, this 1996 horror comedy’s lack of budget is mostly more of a feature than a bug.
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What to Know About MoPOP’s New Keith Haring Exhibit
For 425: ‘Keith Haring: A Radiant Legacy’ opens today. Here’s what you should know.
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‘The Outrun’ and ‘Daaaaaalí’ Are Kaleidoscopic Character Studies
For 425: These new movies’ nonlinear approaches to character and narrative are inspired — for the most part.
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Haunted Houses
On Michael Roemer’s startling family drama ‘Vengeance is Mine.’
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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The Harrowing, Empathetic ‘Streetwise’
Martin Bell’s landmark movie about teenage runaways and outcasts getting by in downtown Seattle is a haunting group portrait.
August 19, 2026
May 25, 2026
May 13, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
