PETERSON REVIEWS
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The Surprising Sensitivity of ‘The Leopard Man’
This proto-slasher from 1943 takes pains to show that its victims are more than their fates.
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A New Way of Seeing Nirvana
For South Sound: Storied Northwest photographer Charles Peterson released a photo book, ‘Charles Peterson’s Nirvana,’ earlier this year. Now, it’s being expanded into a Tacoma Art Museum exhibit.
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Francis Ford Coppola’s Messy, Fascinating ‘Megalopolis’
Plus: ‘His Three Daughters,’ now on Netflix, is a powerful family drama.
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Abbey Blackwell’s Next Chapter
For 425, I spoke with the Everett-raised singer-songwriter about her new album, why she left Alvvays, the joys of teaching, and more.
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‘The Thomas Crown Affair’ Comes Close to the Original’s Glory
The glamorous fun of the 1968 classic is nearly matched in the enjoyable 1999 remake.
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Make Me Over
‘The Substance,’ reviewed.
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‘The Thieves’ Charmingly Tweaks the ‘Ocean’s Eleven’ Formula
Though a little too long, Choi Dong-hoon’s commercial juggernaut is mostly a blast.
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‘Nine Queens’ Keeps You on Your Toes
Writer-director Fabián Bielinsky’s filmmaking debut, now widely heralded in its native Argentina as a classic, is a smart, suspenseful con-artist thriller.
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Out of the Past
‘My First Film’ and ‘Rebel Ridge,’ reviewed.
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‘The Anderson Tapes’ Can’t Transcend Its Gimmick
And it doesn’t even use its gimmick that effectively.
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Summer Sun
‘Bitter Rice’ is both an incisive commentary on labor struggle and a captivating romantic melodrama.
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You Can’t Take Your Eyes Off Melina Mercouri in ‘Topkapi’
Jules Dassin’s breezy caper is technically an ensemble movie, but nobody captures your attention as much as Mercouri.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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The Harrowing, Empathetic ‘Streetwise’
Martin Bell’s landmark movie about teenage runaways and outcasts getting by in downtown Seattle is a haunting group portrait.
August 19, 2026
May 25, 2026
May 13, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
