PETERSON REVIEWS
space
-
Domestic Disturbances
‘Last Summer’ and ‘Trap,’ reviewed.
-
‘Obsessed’: TV-Dinner ‘Fatal Attraction’
Aside from its climactic fight and fun performances from Beyoncé and Ali Larter, this 2009 soap opera pales in comparison to the 1980s and ‘90s domestic thrillers it’s clearly inspired by.
-
Detour
On the formulaic perfection of ‘Red Rock West.’
-
‘Romeo Must Die’ is a Curious Mash-Up
Andrzej Bartkowiak’s genre hybrid doesn’t particularly work, but the performances from Hollywood newcomers Aaliyah and Jet Li make it worth watching.
-
The Slow Simmer of ‘Summer of Sam’
Much about Spike Lee’s last movie of the 1990s is dynamic and engaging, but it’s hard not to feel, after a while, like he’d explored much of what it covers better earlier in his career.
-
Holy Smoke
On ‘The Burning.’
-
‘No Way Out’ is Pleasantly Preposterous
Kevin Costner’s breakthrough movie only gets more ridiculous as it goes on, but there’s a charm to its silliness.
-
‘Let’s Do Something Bigger’: Filmmaker Erica Tremblay on ‘Fancy Dance’
I caught up with the writer-director to discuss her feature-directing debut, which has Northwest ties.
-
‘Twisters’ Gets Lost in the Vortex
Plus: ‘National Anthem’ is a flawed, but moving, story of self-discovery.
-
The Double Vision of ‘A Summer at Grandpa’s’
Hou Hsiao-hsien’s 1984 coming-of-age movie seldom goes where you think it will.
-
‘Summer with Monika’’s Haunted Honeymoon Phase
Being young and carefree eventually takes a toll in this early Ingmar Bergman drama.
-
‘Bull Durham’ is a Charmingly Loony Romantic Comedy
Susan Sarandon is the best thing about Ron Shelton’s feature-directing debut.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 