PETERSON REVIEWS
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How Big Picture Made It to 25
For 425: Spouses and co-founders Mark and Katie Stern discuss the business’s evolution, favorite memories, their pioneering business model, and more.
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‘Waist Deep’ is Shallow Fun
This Tyrese Gibson- and Meagan Good-fronted noir benefits from being not much more than solidly made and entertaining.
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‘Love at Large’ is a Seductive, Off-Kilter Noir
Alan Rudolph’s stylish neo-noir has one foot in the past and the other in the present.
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Jean Gillie is the Reason to See ‘Decoy’
Jack Bernhard’s 1946 noir never completely grabs you, but Gillie’s impressively vicious performance almost makes up for it.
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‘Visible Secret’ is a Low-Key, Surprisingly Spooky Romantic Comedy
Ann Hui’s 2001 movie posits what a rom-com might look like with a ‘Sixth Sense’-esque underlay.
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World-Class Sinners
‘Conclave’ and ‘The Shadow Strays,’ reviewed.
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‘The Happiness of the Katakuris’’ Audacity Can Only Get It So Far
Takashi Miike’s exceedingly odd horror-comedy-musical hybrid is, at the very least, truly original.
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Sweating It Out with Charli XCX and Troye Sivan
For 425: The pop stars concluded their coheadlining Sweat Tour at Seattle’s Climate Pledge Arena this week.
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Heaven and Hell
‘Island of Lost Souls’ is still chilling nearly a century later.
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Portraits
‘Sweetheart Deal’ and ‘Exhibiting Forgiveness,’ reviewed.
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Strange Invader
On the horrifying violations of 1982’s ‘The Entity.’
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‘The Book of Stone’: Slow-Burning Horror Done Right
Carlos Enrique Taboada’s fourth film as a director extols the virtues of taking your time in a genre prone to revealing too much too soon.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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In ‘Menus-Plaisirs – Les Troisgros,’ It’s All in the Process
Revisiting Frederick Wiseman’s 44th documentary, which trains its gaze on the Troisgros family and its various culinary pursuits.
August 19, 2026
May 25, 2026
May 13. 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
Peterson Reviews 