PETERSON REVIEWS
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Women on the Verge
‘The Room Next Door,’ ‘The Girl with the Needle,’ and ‘Nightbitch,’ reviewed.
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‘Now and Then’ is an Underrated Coming-of-Age Movie
Lesli Linka Glatter’s feature-length debut is the rare coming-of-age film to foreground the mundane moments of female friendship.
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‘Oh, Canada’ and ‘Nickel Boys’ Look Back on Painful Pasts
For South Sound: New movies from Paul Schrader and RaMell Ross, reviewed.
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‘The Fall’ is More Than Just a Feast for the Eyes
In addition to being a visual treat, Tarsem Singh’s criminally underseen fantasy film is also pretty moving.
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‘Mother’ Never Lets You Guess Its Next Move
You can never be too certain where Bong Joon-ho’s 2009 drama is going to go next.
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John Carswell’s American Graffiti
For 425: Catching up with a Snohomish County man who’s amassed the world’s largest collection of graffiti and urban art on canvas.
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Cynthia Erivo and Ariana Grande Are Magnificent in ‘Wicked’
Plus: Ridley Scott revisits the ‘Gladiator’ universe nearly 25 years later.
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‘The Grifters’ is Elevated by Its Female Leads
This 1990 adaptation of the 1963 Jim Thompson novel wouldn’t make as much of an impression without Anjelica Huston and Annette Bening.
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Life Changes
‘Emilia Pérez,’ ‘Juror #2,’ and ‘Christmas Eve in Miller’s Point,’ reviewed.
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‘Strange Fascination’: An Auspicious Beginning to a Compelling Partnership
This noir-adjacent melodrama from 1952 marked the start of a six-film-long collaboration between director Hugo Haas and actress Cleo Moore.
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Shadows and Light
Joseph H. Lewis’ lean and mean ‘The Big Combo’ is a low-key triumph of the film noir form.
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Mikey Madison is Wonderful in ‘Anora’
Plus: Steve McQueen returns with a new period piece.
OCTOBER 2026
The Theme is ‘Thrills and Chills’
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The Surprising Sensitivity of ‘The Leopard Man’
This proto-slasher from 1943 takes pains to show that its victims are more than their fates.
August 19, 2026
May 25, 2026
May 13, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
