PETERSON REVIEWS
I’m on Spring Break. Posts will resume on April 20.
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A Phoned-In ‘Getaway’
Almost nobody involved with ‘The Getaway’ seems very invested in the material.
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Minute Men
Both versions of ‘Gone in 60 Seconds,’ reviewed.
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‘The Driver’ Cuts to the Chase
Walter Hill’s 1978 movie is a cat-and-mouse thriller at its most distilled.
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‘Bullitt’: An Aerodynamic Police Procedural
There’s nothing narratively remarkable about this by-the-books detective thriller; what is is its cool style and Steve McQueen’s artfully insouciant performance.
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Sleater-Kinney Forever
The influential Olympia rock outfit is releasing a new album this month — and celebrating 30 years as a band.
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Burning Out
‘American Fiction,’ ‘The Iron Claw,’ and ‘Ferrari,’ reviewed.
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Favorite Movies of 2023
Obligatory, belated end-of-the-year list alert.
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Odds & Ends: December 2023
Notes from the last month.
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The Pleasures and Horrors of Self-Discovery in ‘Poor Things’ and ‘Monster’
New movies from Yorgos Lanthimos and Hirokazu Kore-eda, reviewed.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD


The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026














