PETERSON REVIEWS
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Odds & Ends: December 2023
Notes from the last month.
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The Pleasures and Horrors of Self-Discovery in ‘Poor Things’ and ‘Monster’
New movies from Yorgos Lanthimos and Hirokazu Kore-eda, reviewed.
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‘Soul Food’’s Toxic Flavors
The film asks its central family unit to forgive and forget quite a lot for the sake of its happy ending.
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Cooking Dreams
‘Tampopo’ is a touching, fancifully funny movie shot with great original style.
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The Limits of Fantasy in ‘The Boy and the Heron’ and ‘Eileen’
New movies from Hayao Miyazaki and William Oldroyd, reviewed.
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The Pressure-Cooker Dramas of ‘Dinner Rush’
Bob Giraldi’s fourth movie takes place over the course of a night where things feel predestined to explode.
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‘Simply Irresistible’ is a Harmless, Old-Fashioned Rom-Com
A magical crab is both a blessing and a curse in this neither-that-good-nor-that-bad Sarah Michelle Gellar-led romantic comedy.
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‘What’s Cooking?’ is a Charming Ensemble Comedy
Four families try to make it through Thanksgiving unscathed in Gurinder Chadha’s 2000 dramedy.
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Short Takes: ‘The Taste of Things,’ ‘Fallen Leaves,’ and ‘All Dirt Roads Taste of Salt’
New movies from Trần Anh Hùng, Aki Kaurismäki, and Raven Jackson.
MARCH 2026
The Theme is ‘Acting’
ASDFJHGSD


‘Hollywood Shuffle’ Cuts Deep
The movie established director-actor-co-writer Robert Townsend not only as an astute critic but a limber comedy performer in the improv tradition.

February 4, 2025

November 6, 2025

October 27, 2025

Disobedience
John Sayles’ groundbreaking ‘Lianna’ was a landmark — albeit a criminally underseen one — for lesbian representation in cinema.
February 25, 2026
Trouble in Paradise
On the screwball-comedy perfection of 1937’s ‘The Awful Truth.’
February 23, 2026


The Heart of the Matter
Asghar Farhadi’s ‘A Separation’ more than sidesteps divorce-movie expectations.
February 16, 2026














