Tag: 2020s
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The Past is Present
‘Caught by the Tides’ and ‘Fight or Flight,’ reviewed.
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Doubled Troubles in ‘Sinners’ and ‘The Shrouds’
For South Sound: New movies from Ryan Coogler and David Cronenberg, reviewed.
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Short Takes: ‘The Wedding Banquet,’ ‘Grand Tour,’ and ‘The Ballad of Wallis Island’
For 425: New movies from Andrew Ahn, Miguel Gomes, and James Griffiths, reviewed.
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There Should Be More Romantic Films Like ‘The Photograph’
Writer-director Stella Meghie’s largely overlooked 2020 romantic drama feels like a throwback in the best way.
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‘Sacramento’ Doesn’t Go Far Enough
Directed, produced, written by, and starring Michael Angarano, this quasi-buddy comedy has moments of poignancy but stays too close to the surface.
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Brandon Bird is Inspired Every Day
For 425: The Northwest African American Museum’s recently appointed president and CEO discusses early successes, what he’s looking forward to in 2025, and why it isn’t necessarily a point of stress to always be thinking about work.
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Ordinary People
‘Death of a Unicorn’ and ‘Bob Trevino Likes It,’ reviewed.
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How the Northwest-Shot ‘Marcie’s’ Meets the Moment
For 425: Northwest filmmaker John Helde’s new Seattle- and North Bend-shot movie began development in 2019, but the professional and personal anxieties it captures haven’t lost their sense of urgency.
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The Seductive Spy Games of ‘Black Bag’
Plus: ‘Eephus’ is a quietly touching baseball movie.
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‘Mickey 17’: Bong Joon Ho’s Goofy Sci-Fi Follow-Up to ‘Parasite’
Plus: Art imitates life in Atom Egoyan’s ‘Seven Veils.’
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The Family That Stays Together
‘The Monkey’ and ‘Vermiglio,’ reviewed.
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Short Takes: ‘Bridget Jones: Mad About the Boy,’ ‘Universal Language,’ and ‘Paddington in Peru’
For South Sound: New movies from Michael Morris, Matthew Rankin, and Dougal Wilson, reviewed.
Peterson Reviews 