PETERSON REVIEWS
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Good Vibes, Bad Vibes in ‘The Endless Summer’
The myopia of Bruce Brown’s groundbreaking surf-culture documentary is alternately pleasant and rancid.
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Dressed to Kill
On ‘MaXXXine.’
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Missy Elliott’s Seattle Show Was Out of This World
For 425: The second stop on the producer and rapper’s Out of This World tour was 75 minutes of relentless exhilaration.
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Actorcraft is Cultivating Community — and Honing Acting Chops
For South Sound magazine: Actorcraft, which opened earlier this spring, is a joint venture from Jeremy Kent Jackson and Adrianne Alvarez-Jackson.
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Emily Blunt is Still a Revelation in ‘My Summer of Love’
Blunt’s darkly charismatic performance in her debut film remains one of her best — and exemplifies the kind of intense, slippery work you wish she did more of.
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Golden Hours
‘Janet Planet’ and ‘Kinds of Kindness,’ reviewed.
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‘Waterworld’ Sinks Fast
This sopping-wet riff on the ‘Mad Max’ series has a couple of terrific action sequences and not a lot else.
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The Life-Affirming Melancholy of ‘Certain Women’
Kelly Reichardt’s sparse, elliptical drama finds power in what it doesn’t say.
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‘Young Soul Rebels’ Still Thrums with Urgency
Notes on Isaac Julien’s multifaceted thriller.
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‘Edge of Seventeen’: A Wonderful Coming-of-Age Movie with Few False Notes
Even when the narrative of the film itself isn’t always, it’s a joy to watch a gay coming-of-age movie that neither sugarcoats things nor emphasizes hardship.
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The Studied Allure of ‘The Bikeriders’
Plus: ‘Ghostlight’ is one of the best movies of the year so far.
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‘Bound’ is a Sexy, Dynamic Thriller
Jennifer Tilly and Gina Gershon have crackling chemistry in Lana and Lilly Wachowski’s fantastic first feature.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
ASDFJHGSD
In ‘Menus-Plaisirs – Les Troisgros,’ It’s All in the Process
Revisiting Frederick Wiseman’s 44th documentary, which trains its gaze on the Troisgros family and its various culinary pursuits.
August 19, 2026
May 25, 2026
May 13. 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
Peterson Reviews 