PETERSON REVIEWS
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A Love Triangle Among the Ruins in ‘A Foreign Affair’
Billy Wilder’s 1948 romantic comedy has much more than love on the brain.
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Anna May Wong is Hypnotic in ‘Piccadilly’
Celebrated as the first Chinese-American movie star, Wong gets a rare vehicle worthy of her time and talent with this 1929 romantic drama.
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Cobwebs: On ‘The Landlord’ and ‘Georgia, Georgia’
Two with Diana Sands.
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Lily Gladstone is the Best Thing About ‘The Unknown Country’
Though she can only do so much for this dramatically underbaked, formally fussy drama from Morrisa Maltz.
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Sex is Power: On ‘Baby Face’
The movie, all about a woman’s quest to fuck her way to the top, is notorious. But it isn’t overly reliant on shock value.
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The Startling Empathy of ‘The Accused’
Loretta Young is tremendous in an unexpectedly progressive movie about the nightmares of rape culture.
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The Illicit Affairs of ‘Passages’ and ‘The Innocent’
New movies from Ira Sachs and Louis Garrel, reviewed.
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Snow White, Remixed, in ‘Ball of Fire’
In which Barbara Stanwyck stands in for the princess as a fast-talking lounge singer named Sugarpuss and seven stuffy professors do the dwarves.
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‘Fuego’ Lives Up to Its Title
Isabel Sarli has genuine star power.
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Sex with a Smile
On the two truest distillations of Mae West’s screen image.
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Death and Desire in ‘The Kneeling Goddess’
Roberto Gavaldón’s ‘The Kneeling Goddess’ is about people who not only won’t get what they most desire — the pursuit of it will bring them to their ruin.
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‘No Man of Her Own’ Makes You Take a Silly Premise Seriously
‘No Man of Her Own’ is as good as it is — at least before it fulfills its melodramatic obligations — because its writers and director Mitchell Leisen give it all maybe more emotional legitimacy than it needs.
JUNE 2026
The Theme is ‘Pride’
ASDFJHGSD
‘Punks’ is a Lovable Ensemble Dramedy
Writer-director Patrik-Ian Polk’s to-follow TV show — the two-season-long ‘Noah’s Arc,’ which premiered on Logo in 2005 — only expanded on ‘Punks’’ group-of-gay-people-figuring-life-out conceit.
May 25, 2026
May 13. 2026
March 27, 2026
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 