PETERSON REVIEWS
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I’m on Spring Break. Posts will resume on April 20.
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‘One Fine Morning’ is a Poignant Drama About a Life at a Crossroads
‘One Fine Morning’ looks for the profound in the ordinary; Hansen-Løve and Seydoux make the search feel more than worthwhile.
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‘Love Letters” Bad Romance
The movie, featuring one of Jamie Lee Curtis’ best performances, is like a yellow-paged romance potboiler with the emotional dishonesty taken out.
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The White Lines and White Lies of ‘Cocaine Bear’ and ‘Huesera: The Bone Woman’
Elizabeth Banks’ silly new creature feature and an auspicious horror debut, reviewed.
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The Painful Triumphs of ‘A Woman Like Eve’
This frank, ahead-of-its-time marriage drama trains its focus on a housewife who leaves her dominating husband for another woman.
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‘Alien vs. Predator’ is About as Good as It Could Be
That this movie cursed with simultaneously reviving two flagging franchises is perfunctory fun is kind of a triumph.
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In ‘Sharper’ and ‘The Outwaters,’ Things Are Not Quite What They Seem
A con-game thriller and a found-footage horror movie, reviewed.
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Though Minor in Stature, ‘A Very Natural Thing’ Feels Major
‘A Very Natural Thing”s quality is near equal to its importance.
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Love Games
On ‘Love & Basketball’ and ‘Disappearing Acts’
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From Ezell’s to the Movies: Jeremy and Nathan Rudd’s Hollywood Dreams
The identical twins were born into a family of fast-food giants. Now, they’re forging their own path in film.
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‘Magic Mike’s Last Dance’ and ‘Your Place or Mine’ Struggle to Find a Rhythm
A sequel and a rom-com.
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More Movies to Fall in Love with This February
Last February, I recommended some underappreciated movies worth checking out to ring in the year’s most romantic month for 425. Here are a few more.
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Short Takes: ‘Knock at the Cabin,’ ‘Pamela, A Love Story,’ and ’80 for Brady’
M. Night Shyamalan returns, a misunderstood icon sets the record straight, and veteran actresses inspire laughs in Tom Brady propaganda.
APRIL 2026
The Theme is ‘High Anxiety’
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The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 