PETERSON REVIEWS
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Crashing and Burning in ‘Showing Up’ and ‘Fast X’
New Kelly Reichardt and ‘Fast and Furious’ nonsense.
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‘The Money Pit’ Digs Itself Into a Hole
‘The Money Pit’ pretty much has just one joke.
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The Quiet Rage of ‘The Best of Everything’
Whatever its shortcomings are, the seriousness with which ‘The Best of Everything’ takes the struggles of young women is remarkable for its era.
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Short Takes: SIFF Edition
On ‘Year of the Fox,’ ‘My Animal,’ and ‘Love to Love You, Donna Summer.’
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Goldie Hawn Gives One of Her Funniest Performances in ‘Housesitter’
She and Steve Martin are so good that it doesn’t bother you much how preposterous the movie is.
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Too Much Too Soon in ‘Bright Lights, Big City’
Like the best-selling book on which it’s based, the movie is smart and efficient — has a certain elegance to it — without ever going anywhere particularly interesting.
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‘Swing Shift’: A Good Movie That Could Have Been Great
Rumor has it that Jonathan Demme’s WWII soap opera had been a masterpiece before his final cut was tampered with by Hawn and her producing partner.
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‘Are You There, God? It’s Me, Margaret’ is a Winning Coming-of-Age Movie
Plus: ‘Clock’ is intriguing, but ultimately ineffective, pregnancy horror.
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The Still-Raw Pain of ‘McQueen’
Released less than a decade after the tragic death of its subject, the Scottish fashion designer Alexander McQueen, ‘McQueen’ is a documentary whose overhanging sadness has the consistency of paint that hasn’t yet dried.
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SIFF’s Artistic Director on What to Expect from This Year’s Festival
The iconic Seattle International Film Festival returns next month.
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‘Evil Dead Rise’ is a Relentlessly Good Scare
This bracing new sequel forsakes the original trilogy’s sense of humor for more straightforward frights.
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Diana Ross, Stranded, in ‘Mahogany’
She’s the only good thing about this dour, overly cynical fashion melodrama.
NOVEMBER 2026
The Theme is ‘Sibling Bonds’
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‘Visible Secret’ is a Low-Key, Surprisingly Spooky Romantic Comedy
Ann Hui’s 2001 movie posits what a rom-com might look like with a ‘Sixth Sense’-esque underlay.
October 16, 2026
August 19, 2026
May 25, 2026
Smoke and Mirrors
Nathan Fielder and Lance Oppenheim’s inventive documentary isn’t just about the disgraced entrepreneur Elizabeth Holmes.
October 19, 2026
Ghost World
Kaneto Shindō’s ‘Kuroneko’ is still forward-looking in its contempt for patriarchal devastation.
October 15, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
