PETERSON REVIEWS
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‘Cool World’ is Thoroughly Inept
I’m curious to see how Bakshi’s movie might have played out sans tampering.
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Realities in Flux in ‘Everything Everywhere All at Once’ and ‘After Yang’
A new Michelle Yeoh vehicle and the latest from Kogonada, reviewed.
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‘Secret Honor’ is a Startling Showcase for Philip Baker Hall
He’s unforgettable in a movie you might never be inclined to revisit.
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You Never Aren’t Feeling ‘Bringing Out the Dead”s Anguish
Even looking at ‘Bringing Out the Dead’ is unpleasant.
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‘The Lost City’ is Microwave-Dinner ‘Romancing the Stone’
Plus: Regina Hall is the reason to see Amazon Prime’s thoughtful but ultimately disappointing ‘Master.’
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‘Rosewood’ is One of John Singleton’s Best
For his fourth movie, a still-not-yet-30 Singleton went in a direction in which he hadn’t yet gone and never would again.
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Pain and Pleasure — But Mostly Pain — in ‘X’ and ‘Deep Water’
Notes on an old-fashioned slasher movie and Adrian Lyne’s return.
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Fake Smiles: Two by Frank Perry
On ‘Diary of a Mad Housewife’ and ‘Play It As It Lays.’
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‘Holiday Heart’ is a Feel-Bad Movie That Wants You to Feel Good
‘Holiday Heart’ positions its title character as an elementally angelic figure forgiving to the point of unbelievability.
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‘Insiang’ is Not for the Faint of Heart
‘Insiang’ is a difficult watch, but a worthwhile one.
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‘What Happened Was…’ Puts the Cringe in Cringe Comedy
This movie that hurts in a good way is worth seeking out.
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‘Fresh’ is a Fun Canniball Thriller
If Fresh’s plot twist is a shot, then its opening credits are its chaser.
OCTOBER 2026
The Theme is ‘Thrills and Chills’
ASDFJHGSD


The Surprising Sensitivity of ‘The Leopard Man’
This proto-slasher from 1943 takes pains to show that its victims are more than their fates.

August 19, 2026

May 25, 2026

May 13, 2026

Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026


Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026











