PETERSON REVIEWS
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Death Proof
On ‘F9’ and ‘Siberia.’
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Tokyo Drifters
Two Seijun Suzuki movies — ‘Youth of the Beast’ and ‘Gate of Flesh’ — starring Joe Shishido.
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Fairy Tales
On ‘The Company of Wolves’ and ‘Lemora.’
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The Fragmentations of ‘Je T’aime, Je T’aime’
Alain Resnais tries out sci-fi.
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‘Slow Machine’ is the Right Amount of Enigmatic
Joe DeNardo and Paul Felte’s feature debut is stubbornly mysterious. But it doesn’t alienate you.
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Hiders & Seekers
On ‘The Conjuring: The Devil Made Me Do It’ and ‘A Quiet Place Part II.’
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‘La Main du Diable’ is a Nightmare
‘La Main du Diable’ was made during an especially dark moment in France’s history.
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Curses
On ‘Army of the Dead,’ ‘The Dry,’ and ‘Undine.’
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‘Massacre Gun’ is a By-the-Book Yakuza Thriller
But it’s steadily generous to the senses.
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‘La Otra’: An Excellent Good-Twin-Bad-Twin Melodrama
Dolores Del Rio is sensational.
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Possessed
On ‘French Exit’ and ‘Cruella.’
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‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ is an Endurance Test with Big Rewards
Not a minute of ‘Jeanne Dielman”s three and a half hours feels inessential.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD


The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026











