PETERSON REVIEWS
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Bad Ideas
On ‘Halloween Kills’ and ‘Lamb.’
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‘Countess Dracula’ Doesn’t Deserve Ingrid Pitt
‘Countess Dracula’’s wall-to-wall wasted potential is almost as suffocating as the castle in which its bloodthirsty noblewoman commits her imaginatively heinous crimes.
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Men on Missions
On ‘No Time to Die’ and ‘The Guilty’
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‘The Cell’ Gives New Meaning to the Psychological Thriller
‘The Reflecting Skin’ has two ways of seeing.
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‘The House That Dripped Blood’ is a Solid Horror-Omnibus Movie
Even if ‘The House That Dripped Blood’ isn’t particularly scary in real time, the places its stories go manage to still linger in our memory a bit — an effect all good horror should have.
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‘The Reincarnation of Peter Proud’ Doesn’t Go Where You Think It Will
The finale is so wonderfully ghoulish — it almost makes the story feel like an old moral tale — that I’m sure Peter Proud might wish he’d woken up prematurely yet again instead of getting what he thought he wanted.
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She’s Not There
On ‘Titane’ and ‘The Mad Women’s Ball.’
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In the House
‘Tenebrae’ is about as personal as a slasher movie can get.
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‘Museo’ Smartly Rejiggers the Heist Movie
The film tries to stay planted in real life; it’s grounded by its convincingly co-dependent lead performances and Ruizpalacios’s measured and thoughtful approach to what is outwardly a too-wild-to-be-true curiosity of a story.
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Smoke Screens
On ‘The Nowhere Inn’ and ‘Prisoners of the Ghostland.’
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‘Taste of Cherry’ is Simple and Complicated
The jarring meta finale may seem playful — from a pessimistic perspective even a copout — but I think it’s wise.
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Ways of Seeing
On ‘The Eyes of Tammy Faye,’ ‘Mogul Mowgli’, and ‘The Voyeurs.’
NOVEMBER 2026
The Theme is ‘Sibling Bonds’
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‘Twins of Evil’ is Sharper Than You’d Think
Though mostly made to capitalize on the newly minted sex symboldom of identical-twin sisters Mary and Madeleine Collinson, this 1971 horror movie ends up being a decent critique of puritanical hypocrisy.

October 16, 2026

August 19, 2026

May 25, 2026
Smoke and Mirrors
Nathan Fielder and Lance Oppenheim’s inventive documentary isn’t just about the disgraced entrepreneur Elizabeth Holmes.
October 19, 2026


Ghost World
Kaneto Shindō’s ‘Kuroneko’ is still forward-looking in its contempt for patriarchal devastation.
October 15, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026












