PETERSON REVIEWS
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‘Babette’s Feast’: Excellent Gastro-Cinema
It’s a lyrical testament, both narratively and visually, to the often transcendental power of cuisine.
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On ‘Miss Americana’
This Taylor Swift documentary summons a surprising amount of sympathy.
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‘Infernal Affairs’: A Cop Thriller with a Smart Premise
Ambition is like a poison in ‘Infernal Affairs.’
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On ‘Watchmen’
Notes on Damon Lindelof’s great miniseries.
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‘The Beast with Five Fingers’: Look, One Hand!
To watch or read a whodunit is to know, with certainty, that the conclusion of its story will come with the unmasking of someone (or someones) as a villain. The fun of ‘The Beast With Five Fingers’ is the muddying of the cliché.
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‘Hard Boiled’ is John Woo At His Best
Woo is a giddy showman who makes a strong case for the wonders of habitual slow motion and weapons that go off with such bluster that they double as fog machines.
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‘To Live and Die in L.A.’ and ‘Cruising,’ Reviewed
Two neo-noirs from William Friedkin.
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‘Love Jones’ Deserves More
Theodore Witcher’s 1997 rom-com shouldn’t be relegated to cult-classic status.
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‘Chungking Express,’ ‘Happy Together,’ and ‘The Grandmaster,’ Reviewed
Three key collaborations from Wong Kar-Wai and Tony Leung Chiu-Wai.
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‘Bombshell’: What Shell?
While ‘Bombshell’ doesn’t altogether ignore the ideologies rampant among Fox News figureheads, the film is more committed to glossing over truths and selective veracity.
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Greta Gerwig’s ‘Little Women’ Already Feels Like a Classic
There’s a lot of just-right pessimism in ‘Little Women,’ yet it doesn’t feel like a pessimistic movie.
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‘Two Lovers’ and ‘High Art,’ Reviewed
Two movies about dysfunctional romance.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 