Category: Reviews
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The Past is Present
‘Mouse,’ ‘Queen at Sea,’ and ‘Once Upon a Time in Harlem,’ reviewed.
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Arduous Journeys
‘Making Marie Antoinette,’ ‘Fatherland,’ and ‘Wildwood,’ reviewed.
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Destroyers
‘Naza’ and ‘Musk,’ reviewed.
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The Exploratory Charms of ‘The History of Concrete’
Plus: ‘Verity’ ruins its own high thriller potential. (For South Sound)
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‘Primetime’ is a Lurid Showbiz Comedy
Plus: ‘Chronovisor’ is among the year’s most engrossing thrillers. (For 425)
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Short Takes: ‘Practical Magic 2,’ ‘Hope,’ and ‘Late Fame’
For South Sound: New movies from Susanne Bier, Na Hong-jin, and Kent Jones, reviewed.
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Stepping Up
‘American Doctor’ and ‘Mad Bills to Pay,’ reviewed.
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Love Letters
‘Teenage Sex and Death at Camp Miasma,’ ‘A Sad and Beautiful World,’ and ‘Cactus Pears,’ reviewed.
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‘The Odyssey’ is Christopher Nolan’s Best Movie in Years
Plus: The dreamy, hard-to-pin-down quality of Avalon Fast’s ‘Camp’ is a feature, not a bug. (For South Sound)
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‘The Invite’ is a Riotous Marriage Comedy
Plus: ‘Maddie’s Secret,’ John Early’s homage to the 1980s’ TV movies of the week, pulls off the unexpected. (For 425)
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Emily Blunt Gives One of Her Best Performances in ‘Disclosure Day’
Plus: ‘Stop! That! Train!’ is a delightful spoof comedy slightly sabotaged by a special-effects controversy. (For 425)
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Acting Out
‘Forastera’ and ‘Scary Movie,’ reviewed.
