PETERSON REVIEWS
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‘The Longest Yard’ Understands Burt Reynolds’ Appeal
‘The Longest Yard’ is best enjoyed for the way it complements the platonic ideal of a star persona whose at-one-time refreshing irreverence would only retain its freshness a little while longer.
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Kelye Kneeland’s Bold Type
A Bellevue teacher moonlights as one of the area’s most inventive portraitists. Her medium of choice? Typewriters.
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‘Slap Shot’: A Sports Comedy Where Violence is the Answer
Newman’s 1977 star vehicle is one of the most palpably angry sports movies I’ve seen.
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‘One Fine Morning’ is a Poignant Drama About a Life at a Crossroads
‘One Fine Morning’ looks for the profound in the ordinary; Hansen-Løve and Seydoux make the search feel more than worthwhile.
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‘Love Letters” Bad Romance
The movie, featuring one of Jamie Lee Curtis’ best performances, is like a yellow-paged romance potboiler with the emotional dishonesty taken out.
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The White Lines and White Lies of ‘Cocaine Bear’ and ‘Huesera: The Bone Woman’
Elizabeth Banks’ silly new creature feature and an auspicious horror debut, reviewed.
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The Painful Triumphs of ‘A Woman Like Eve’
This frank, ahead-of-its-time marriage drama trains its focus on a housewife who leaves her dominating husband for another woman.
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‘Alien vs. Predator’ is About as Good as It Could Be
That this movie cursed with simultaneously reviving two flagging franchises is perfunctory fun is kind of a triumph.
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In ‘Sharper’ and ‘The Outwaters,’ Things Are Not Quite What They Seem
A con-game thriller and a found-footage horror movie, reviewed.
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Though Minor in Stature, ‘A Very Natural Thing’ Feels Major
‘A Very Natural Thing”s quality is near equal to its importance.
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Love Games
On ‘Love & Basketball’ and ‘Disappearing Acts’
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From Ezell’s to the Movies: Jeremy and Nathan Rudd’s Hollywood Dreams
The identical twins were born into a family of fast-food giants. Now, they’re forging their own path in film.
OCTOBER 2026
The Theme is ‘Thrills and Chills’
ASDFJHGSD
The Surprising Sensitivity of ‘The Leopard Man’
This proto-slasher from 1943 takes pains to show that its victims are more than their fates.
August 19, 2026
May 25, 2026
May 13, 2026
Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026
Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026
