PETERSON REVIEWS
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I’m on Spring Break. Posts will resume on April 20.
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An Unforgettable Night with Kehlani
The pop star powered through what felt like a cursed stop on their Blue Water Road Trip tour Sunday evening at Seattle’s WAMU Theater.
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‘The Woman King’ is a Towering, Complicated Action Epic
Plus: ‘Pearl,’ a prequel to the great neo-slasher film ‘X,’ disappoints.
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‘The Killing Floor’ is an Essential Historical Drama
‘The Killing Floor’ is as much an illuminating history lesson as it is a great, impassioned movie about the indignities of labor and the importance of fighting for a seat at the table.
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‘The Devil and Miss Jones’ Did ‘Undercover Boss’ First
Like how the film offers the unrealistic fantasy of a for-the-people mogul, we can only fantasize about a smarter, bolder version of ‘The Devil and Miss Jones.’
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‘Norma Rae’ Still Invigorates
‘Norma Rae’ isn’t electrifying by force. Instead, just by carefully dramatizing the process of unionization, it captures the simple thrills of workplace organization — the pleasurable charge felt when you realize it’s possible to have a say in an arena where you never thought you’d have one.
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‘Barbarian’ is One of the Year’s Best Horror Movies
Plus: ‘Hold Me Tight’ is an inconsistent meditation on grief.
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‘Chameleon Street’ Still Feels a Step Ahead
Faking it till you make it is rarely as literal as it is in ‘Chameleon Street.’
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‘Strike!’ Keeps Things on the Surface
‘Strike!’ is slight but pleasant, redeemed by a charming cast and a writer-director, Sarah Kernochan, whose fondness for her characters and subject matter is infectiously clear.
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High Hopes and Uncertain Futures in ‘Honk for Jesus. Save Your Soul.’ and ‘Funny Pages’
Reviewing a new satire and a coming-of-age comedy.
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‘Brubaker’ is Admirable But Thin
‘Brubaker’ comes to epitomize what beleaguers so many so-called message movies: elucidating the macro issue of the hour with such hyperfixation that anything on the micro remains decorative.
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The Rise of Enumclaw
The Tacoma-based four-piece, whose debut album arrives in October, is among the most buzzed-about bands to emerge from the South Sound in years.
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The Helter-Skelter Brilliance of ‘Bone’
In typical fashion for writer-director Larry Cohen, ‘Bone’ is as prone to incisiveness as feeling like it’s going to fly off the rails and fall apart.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD
The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
March 27, 2026
February 4, 2026
November 6, 2025
Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026
Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026
Peterson Reviews 