Category: Review
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‘Blue Heron’ is a Mosaic-Like Memory Movie
Sophy Romvari’s feature-length debut continues the affecting, understated personal excavations of her acclaimed short films.
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Loving and Hating ‘Soapdish’
The 1991 comedy is a delightful send-up of the soap-opera world. Then its ending comes.
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‘City on Fire’: More Than Just a ‘Reservoir Dogs’ Reference
Ringo Lam’s fifth movie of the 1980s winds up being far more serious than its Looney Tunes-inflected first couple of acts would lead you to believe.
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‘Enemy of the State’’s Prescient Thrills
In 2026, 1998’s ‘Enemy of the State’ feels glumly prophetic and surprisingly sound.
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‘The Stuff’’s Evocative Stupidity
The 1985 film’s persistent illogic and ever-present suggestion that it’s going to fly off the rails make it come across as an up-is-down nightmare heightening real fears.
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Something’s Missing from ‘The Drama’
For 425: Kristoffer Borgli’s dark comedy is enjoyably prickly and queasily funny, but it’s surprisingly hesitant about fully engaging with its off-kilter premise.
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The Paranoid Corporate Games of ‘Black Test Car’
The pitilessness of Yasuzo Masumura’s black comedy continues to ring true more than six decades after its release.
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Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
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In ‘Jane,’ An Actress Stumbles Toward Greatness
On D.A. Pennebaker’s 1962 portrait of a young Jane Fonda.
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‘Project Hail Mary’ Aims to Please
For South Sound: Phil Lord and Chris Miller’s space-set adventure wants to be an old-fashioned crowd-pleaser — sometimes to its detriment.
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Catherine O’Hara Was at the Top of Her Game in ‘For Your Consideration’
Christopher Guest’s 2006 comedy is far less laugh-heavy than his previous movies, but the performances — particularly the late O’Hara’s — more than make up for it.
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‘The Girls’’ Feminist Frustrations
Notes on Mai Zetterling’s 1968 dark comedy.
Peterson Reviews 